Congrats, Matt Camp!

It's great to see that DC Comics is using Matt Camp again for a regular series. With Supergirl #47, he rejoins the DC family. After the Infinity Inc. reboot was cancelled, I was sad to see his stunning art disappear from DC Comics titles. Congrats, Matt!

Titans...Together?

The New Teen Titans was my favorite comic book in the '80s. I loved everything about it -- the stories by Marv Wolfman, the art by George Perez, the relatable characters, the character development, the relationships between the characters, the villains, and on and on. So when DC Comics decided to band the original team back together in 2008 into a new Titans comic, I was all for it. Many said that it was just DC trying to capitalize on nostalgia without providing any substance to the comic or giving it much marketing. And they were right.

The first year of issues rehashed several storylines that I felt I had read and re-read several times before like "Raven's Demonic Father Trigon Tries to Take Over the World" and "Jericho Gone Bad. Again. For, like, the 12th time. No, really. Those Titans are such SUCKERS." Sigh...I felt duped. And taken advantage of. And I felt that the Titans had been wronged. How could DC Comics treat their bread-and-butter from the '80s so horribly?

After these two failed storylines, Nightwing leaves the team as he becomes the new Batman. It's then that I felt that weird feeling in the pit of my stomach. It's not going to get any better, is it? Surprisingly, I was wrong. In an odd sort of way. With Nightwing out of the picture; Beast Boy (and possibly Raven, too) going to the Teen Titans; and Donna Troy, Cyborg, and Starfire moving to Justice League of America; the Titans comic is now focusing on the breakdown of the team. They're providing single issue stories, with each issue focusing on one character of the disassembling team. These are some of the best Titans stories I've read in years. Their disbanding is the best thing that ever happened to them. It's too bad DC couldn't have put this much energy and creativity into the comic when they weren't sending it into the crapper. I guess it's just as well. We all have to grow up sometime. Those who were your friends when you were young won't always be your friend as an adult. People grow apart. It's about time the Titans did, too.

Superman's Origin Gets A Breath of New Life

Throughout my many, many years of reading comics (from about ages 10-24), I never really got into reading Superman in the comics. I liked him as a character...but his storylines never seemed to interest me. Now getting back into comics as an older adult, it seems that DC Comics has finally given Superman the storylines he's always deserved. I currently read all of his titles, from his self-titled series to Action Comics. They all offer a unique and interesting perspective to the Superman universe.

I've recently picked up the first two issues to DC Comics' new mini-series, Superman: Secret Origin. I wasn't sure how interesting it would be given that I'm already familiar with Superman's origin, life in Smallville, move to Metropolis, etc. Plus, the story's been done before, several times. This one, though, thankfully brings something new to the table, as one would only expect from writer Geoff Johns.

Johns shows Clark Kent as being like any other kid. He delves into Clark's uncertainty of himself and his abilities, his fear of hurting people, his fear of fitting in, his fear of being adopted, and his fear of being from another planet. He's your everyday naive kid with a good heart that doesn't want to hurt other people's feelings. Johns also moves along the storyline at a quick pace so as to not lose readers already familiar with Superman's secret origin. Each issue is a totally new part of Clark's life as a kid. The first issue of the mini-series deals with Clark learning of his extraterrestrial origins, discovering his abilities, and meeting the teenage Lex Luthor at a county fair. The second is Clark's first meeting with the Legion of Superheroes and donning his Superboy persona and costume.

Geoff Johns also adds new information about Clark as an adolescent boy, his first meetings with his friends and foes, and discovering his powers. Case in point: Clark accidentally discovers his heat vision power when he gets excited from Lana Lang kissing him.

In addition to the fantastic writing, there's the art. Gary Frank does a beautiful job bringing the characters of the Superman mythos to life. His rendition of Clark Kent looks exactly like a young Christopher Reeve who, as you know, played Superman in the original Superman movies. (And, if you don't know that, WTF?) It's remarkable. And Clark's facial expressions really complement Johns' comfortable writing style and help to move along the storyline.

Whoever thought they've seen all there is to see about Superman's secret origin should give this new mini-series a try. You'll discover something you never knew before...and get a great storytelling experience. What do you have to lose?

Giant-Size Old Man Logan

The finale of the "Old Man Logan" tale that ran through Wolverine #66-72 was released in a "Giant-Size" comic last week. At $4.99, the only thing giant-sized about it was the price. Knowing how popular the "Old Man Logan" storyline was, Marvel Comics decided to capitalize on that and serve up a regular-sized story with the other half of the issue being images of past covers that we've already seen, and some rough sketches. Big effing deal. To me, that wasn't worth $4.99. I expected a giant-sized story. Boo, Marvel!

The finale focuses on Wolverine's final confrontation with the Hulk family, who are basically a bunch of crazy rednecks like something out of Deliverance. While I was satisfied with the ending, I look forward to this becoming a regular series. It certainly has the potential to be a great ongoing comic. The characters are well fleshed out, the story is fairly simple yet intriguing, and the art is amazing and "dark," as it should be for this particular kind of story.

Unless you're a collector, save your money, though, on the Wolverine: Old Man Logan Giant-Size comic and buy the entire series in hardcover that comes out shortly. Read it from cover to cover and discover a familiar Wolverine that you've never seen before.

Here Comes the "Reign" Again

Continuing with the "Dark Reign" storyline that Marvel Comics has basically spread throughout all of their series, I've picked up a few of the series that focus on the individuals within Norman Osborn's "Dark Avengers." You know the ones: they vaguely resemble and dress up like actual Marvel superheroes, so everyone thinks that they're the real deal, despite the obvious differences (like swearing, maiming, killing, destroying property) and the fact that the real superheroes are...actually still doing their thing. Anyway, once you suspend your disbelief at this ridiculous notion, there are some pretty decent stories going on...and some rather horrible ones.

The GOOD:
The Wolverine series has become a playground for "Dark Wolverine" instead of the normal, lovable (?), fuzzy, one-of-a-kind Wolverine. Dark Wolverine (blecch! I can't stand the "Dark" titles in every name and/or group) is actually Wolverine's son. Wolverine was apparently married long ago to a Japanese woman (but not the famous Mariko from his first limited series back in the 1980s) and had a child that he thought long since dead. Daken (Dark Wolverine) is all grown up now and sports a mohawk and tattoos underneath his mask and costume. He has similar mutant powers to Wolverine, plus a unique pheromone manipulation ability, which I find very intriguing. It's something unique that I haven't seen in comic books before. He is also struggling with his own identity, and between good and evil. Lastly, Daken seems pretty comfortable in his sexuality...whatever it may be. He made a couple of joking sexual innuendos to "Sinister Spider-Man" and The Thing to f**k with their heads, using his pheromone ability. For all of these reasons, he is a very interesting character and not just the child of a superhero with the same abilities. I hope Wolverine gets his own series back and Daken goes on to new adventures in his own series. I'd definitely invest my reading time in finding out more about him.

The BAD:
In the tradition of the new "Dark" Hawkeye limited series comes Sinister Spider-Man. Why "sinister" instead of "dark" like everyone else? Other than for alliteration purposes, who knows!? Anywho, this new Sinister Spider-Man posing as Spider-Man is actually...Venom. I know, I know. It's pretty hard to believe considering he's actually wearing the black and white Venom symbiote costume while posing as Spider-Man. It would be like me walking into work wearing a rubber Obama mask, toting myself as our President. Deceptive, right?

Apparently there have been some changes to Venom over the years. He's no longer Eddie Brock. He's now Mac Gargan, formerly the Scorpion. This in itself is kind of sad, because I always liked the idea of the Scorpion as a villain. Maybe another one is in the works. But I digress...

I read Sinister Spider-Man and all I can say is {YAWN}. It's a four-issue limited series by writer Brian Reed and artist Chris Bachalo. Reed says, "the whole Marvel Universe thinks Spider-Man is living in Avengers Tower, when it's really Mac Gargan, who has a long history as a sociopath." Venom...er, Sinister Spider-Man...er, "Spider-Man" is a womanizer, a killer, and an all-around a-hole. He's the male equivalent of a Black Widow spider. He bites the heads off the women he f**ks. And it's all on the news. So, you can see why people would naturally believe him to be the real Spider-Man. Especially with the real Spider-Man out there swinging around in his red and blue tights. After the first issue, I didn't want to read the rest (and had wished I hadn't already purchased them), but I did anyway. The story of Sinister Spider-Man felt rushed and randomly thrown together, unlike Dark Wolverine or Dark Reign: Hawkeye (previously reviewed), just to sell comics.

The UGLY:

The artwork on Sinister Spider-Man. With all the talented, unused artists out there looking for employment, why settle for mediocre?

Dork Reign

In case you're unaware, Marvel Comics has this ongoing theme/story running called "Dark Reign" throughout most of their comic books: Norman Osborn (formerly the Green Goblin) has a government job running the agency called H.A.M.M.E.R., which replaced S.H.I.E.L.D. As the director of this new "law-enforcing" agency, Osborn creates his own Avengers and X-Men team, made up of villains posing as superheroes. And nobody notices.

I know, I know. I know what you're thinking. You're thinking WTF? And you'd be right.

Maybe I'm not on the same trippy substance as the current Marvel writers and executives, but seriously...WTF? From the few different series and issues I've read or browsed, I just have to wonder how it is that not a single person has questioned that the "heroes" look a little different than their counterparts...and are killing people. Case in point: the new "Spider-Man" looks like Venom. And IS Venom. The new "Hawkeye" sticks a pen in the eye of a "fan" asking for his autograph. Norman Osborn is a hybrid of Iron Man and Captain America called Iron Patriot, but I guess people just see him as Iron Man or Captain America, depending on who they want to see? Kinda like one of those Magic Eye puzzles? But wait...doesn't everyone know that Norman Osborn is/was the Green Goblin? And everyone is...okay with all this? I feel like I'm in the middle of an I Love Lucy episode where Lucy is trying to deceive Ricky by wearing a fake mustache and...it works! He has no idea who she is!

Anyway, onto one single (but long) story of the thoroughly confusing (and dull) Dark Reign storyline: the Dark X-Men / Dark Avengers crossover "Utopia," which runs through a series of one-shots and the Dark Avengers and Uncanny X-Men series. I read most of the storyline, avoiding the Dark Avengers series since I don't currently collect or read them. However, after reading the first one-shot about "Utopia," I was regretting purchasing the rest, including Uncanny X-Men, which I regularly buy. Again...WTF? There was no coherent thought process throughout and I didn't care about anyone or anything I read. To top it off, the Dark Avengers/Uncanny X-Men: Utopia #1 one-shot was drawn by Marc Silvestri, an artist who became big in the 1990s when the women of the X-Men became a lot more bustier, a lot more Asian, and the stories took second (or third) place to all of this. Is it any wonder that's when I stopped reading comics after 15 years of nonstop dedication? Ugh.

I forced myself through all of the issues of "Utopia" I had purchased...and I still have no idea what happened. And, honestly, don't really care to know. All Marvel needs to know is that it's time to drop the lame Dark Reign storylines throughout its titles before it begins to lose readers. DC is currently doing a "MARVELous" job with their "Blackest Night" storyline. It's one of their best ever. Why is Marvel trying to compete with the poorly assembled Dark Reign? Forget Dark X-Men, Dark Avengers, Dark Wolverine, Dark This, Dark That. If I ever hear the word "dark" again, it'll be too soon. There's such a thing as overkill, Marvel.

You had me at "hello."

I don't know how to say this, so I'm just going to come right out and say it. {Deep breath} I got a little teary reading Adventure Comics #2. There, I said it. I cried. Maybe it's from the cold meds I'm on, but more than likely, it was from reading the sweet reunion between Conner Kent (aka Superboy) and Cassie Sandsmark (aka Wonder Girl) after, you know, Conner died for a couple of years and then came back to life. Geoff Johns did a beautiful job writing a fantastic, quiet story that was all about character development and not about good vs. evil.

When it was announced that DC Comics was revamping its old series, Adventure Comics, that ended in 1983 after 503 issues, I was excited to learn that Conner was coming back from the dead (yea!) and would be the star. However, I was SO worried that because Conner now had his own comic book series with Adventure Comics (and living in Smallville, KS) and so much time had elapsed that there wouldn't be room in his life for Cassie (who stars in the Teen Titans comic book and lives in San Francisco, CA). By the end of the story in Adventure Comics #2, though, all was right with the world. These two belong together. It's not too often that relationships are done very well in the comic book universe, but the chemistry between these two has always been very strong, and I'm very pleased to see that DC Comics is recognizing that.

So, thank you DC Comics and Geoff Johns. Not since the story "Chalk Drawings" about a young girl's suicide back in Wonder Woman #46 (1990) have my eyes welled up with tears.

Zero Killer is no Zero

I must confess that I'm one of those comic book readers that doesn't stray too often from DC or Marvel. Why? Well, I'm already spending more money than I should on characters that I already know, love, and grew up with, so I don't see the point in exploring new universes with a whole new set of characters. Occasionally, I do stray, though.

Recently, I picked up a couple of issues of Herogasm by Dynamite Comics, mostly because the idea seemed hilarious. It's about a getaway for superheroes where they engage in...well, carnal knowledge. Apparently it's a spin-off of a series called The Boys. Unfortunately, instead of being entertaining, Herogasm provided little more than the opportunity for its writer to write porn and its artist to draw a bunch of naked superheroes. And, like porn, there was no decent story.

On the other hand, I picked up some back issues of a series called Zero Killer by Dark Horse Comics. Why? Because I discovered that it was drawn by the brilliant Matt Camp, whose work I loved in DC Comics' latest incarnation of Infinity, Inc. His art ranks high in my book, along with two of my favorites, George Perez and Kevin Maguire. The faces of the characters he draws are very expressive. He's definitely concerned with detail. So, since Matt's currently not working on anything else DC- or Marvel-related, I decided to give Zero Killer a try, if only to gaze upon more of his beautiful artwork. I picked up issues 1-3 and read them back-to-back. Not only was I naturally impressed (again) by Matt Camp's art, but I was also absorbed into Arvid Nelson's post-nuclear story of a man named Zero. The story moves along quickly and the characters are each distinct. New York City is in ruins and flooded as a result from a 1973 worldwide nuclear war. Each of the major skyscrapers (Chrysler Building, Empire State Building, and, yes, the Twin Towers) houses a different gang. Arvid gives us pieces of the Zero's puzzle a little bit at a time, which makes the story all that more intriguing. Ironically, issues 4 and 5 are finally coming out this fall after a two-year delay, so I'll get to enjoy those soon enough as well. Check out their website at http://www.zerokiller.com/.

My only wish is that DC Comics hire Matt Camp full-time so I can enjoy seeing him draw some of my favorite characters of all time.

Number Ones

Recently, DC Comics has been putting out a lot of number one issue comics, trying to reinvent themselves and bring back some old favorites, as well as introduce some new, but familiar, characters. With comics getting cancelled and reinstated all the time, starting from the beginning, it's a wonder that any comics ever make it to three-digit numbering.

In the past couple of months alone, I've started reading six "new" series: Adventure Comics, Batgirl, Batman and Robin, Gotham City Sirens, Red Robin, and Streets of Gotham. Unfortunately, although I love the characters, the comics haven't all wowed me. When I think of first issues, I think "spectacular!" This is the jumping off point, and it should be a story that really grabs hold of you and forces you to add the series to your monthly comic book order list because it's that good. The majority of these series hasn't done that, but I'm sticking with them because I love the characters.

I was most excited about the return of a Batgirl monthly series, and I was glad that it wasn't going to be about the most recent Batgirl in DC Comics history. That Batgirl, also named Cassandra (I guess someone really liked the name?), wore the mask over her entire face and never seemed to have that "flair" that Barbara Gordon, the original Batgirl, did. She was more like a vigilante/assassin. There was much mystery over who the next Batgirl was going to be. Would Barbara Gordon regain the use of her legs and take up the mantle again? Would it be a new Batgirl under Barbara's tutelage? I'm sad to report that the mystery was solved immediately within the first few pages of issue one. So much for intrigue. I thought DC would draw out the mystery and excite us with further anticipation. Alas, no. We find out it's Stephanie Brown, aka the former Spoiler character from the cancelled Robin series. Yawn. She's like the teenage girl that everyone's annoyed by. Barbara is still in the comic, though, and I hope she maintains a prominent role since her Birds of Prey series was cancelled.

Adventure Comics features the return of one of my favorite DC characters: Superboy. Not Superman as a boy, but the clone made from both Superman's and Lex Luthor's DNA. When he was created back in the 1990s to help replace the void from Superman's death (due to his fight with Doomsday), I did not like him. He was an arrogant punk who wore sign-of-the-times apparel, a surfer's cut, and even sported an earring in one ear. Now, Conner Kent (aka Superboy again now that the licensing battle over the name trademark has been resolved) is a sexy, young adult who's trying to find his place in the world, much like Superman once did. His costume is a T-shirt and jeans. How cool is that? He's like the jock that everyone idolizes, but without the superior attitude. Deep down, he just wants to feel accepted and loved like everyone else. Of all the "restarts," this is definitely my favorite. I've missed Conner since he "died" a couple of years ago. Teen Titans hasn't been the same since his absence. I'm very curious what will happen with his previous budding relationship with Cassandra ("Cassie") Sandsmark (aka Wonder Girl) now that he's returned. After all, she did lose her virginity to him.

After reading the putrid "Batman: RIP" storyline and Final Crisis mini-series by Grant Morrison, I swore that I would never pick up another comic book written by Morrison. But...there I was picking up -- and enjoying -- the new Batman and Robin series. There's never actually been a "Batman and Robin" title, so this is definitely a milestone. The series features Dick Grayson (the first Robin) as the new Batman and, as Robin, Damian Wayne (Bruce Wayne's son with Talia, the daughter of Ra's al Ghul). The relationship between these two is comical, and that's what makes the series enjoyable. Damian is...a smart-ass prick. But Dick deals with it because he's Bruce's son and wants to show him the ropes. I think Morrison must have (finally) set down his joint and started writing something coherent because I've enjoyed the first couple of issues of this new series thus far. And the art by Frank Quitely is amazing. The level of detail harkens back to the days of Kevin Maguire on Justice League International in the 1980s. And, as an aside, I love the title logo for the series.

Catwoman was cancelled and they put her in the new Gotham City Sirens, adding Poison Ivy and Harley Quinn to the roster. I like all three characters, but Catwoman's own series had so much more depth. Thus far, Gotham City Sirens hasn't done much for me. We don't get to see the women as individuals outside of their costumes. Who hangs around together wearing their costumes all the time? Don't they ever have to be washed? And I'm not crazy about the title either. It screams "unsuccessful series" and "cancellation." I'll keep reading it, though, because I like to support female-lead series. They're so few and far between.

Speaking of poor title choices, what's worse than Gotham City Sirens? Streets of Gotham. It's about the people of Gotham who may from time-to-time interact with Batman. The only reason I'm buying this is because the back-up feature is Manhunter, written by the fantastic Marc Andreyko. DC also cancelled her own series and put her here in small vignettes with a $3.99 price tag. I think this will be the first of the new series to go, if only for the series' lackluster title.

Lastly, we get to Red Robin. No, not the restaurant chain that serves up awesome burgers and bottomless steak fries. Red Robin is the new identity of Tim Drake, the former Robin. I find it odd that he'd take on that name when Jason Todd, the former-former Robin, took on that name (and very similar costume) during the Countdown series. It's like Tim's just following in Jason's footsteps every step of the way. And Jason isn't someone you'd want to emulate. Anyway, I'm still waiting for something spectacular to happen with this series since Tim left the Teen Titans and the Robin identity for it. The series is very action-driven, but seems to lack a lot of story-driven quality and character development.

FROST-bitten

I remember reading about Emma Frost (aka the White Queen) and the Hellfire Club back in the 1980s when John Byrne was drawing The Uncanny X-Men. It was one of my favorite storylines, and she was one of my favorite villains because she was so outright evil. By day, she taught at a school (Massachusetts Academy) that rivaled Charles Xavier's School for Gifted Youngsters. By night, she enjoyed torturing the X-Men.

Returning to comics in 2008, I discovered that there had been some MAJOR changes made to Emma Frost's character over the years. She was no longer a villain. She could turn herself into diamond. She had joined the X-Men. She replaced Charles Xavier (aka Professor X) as the X-Men's telepath. She was in a relationship with Scott Summers (aka Cyclops). She had her own 18-issue comic book series. And, last but not least, she had become this giant sex symbol.

Intrigued by reading more about her alongside her fellow X-Men in recent issues of Uncanny X-Men, I picked up all 18 issues of her series, simply titled Emma Frost. At first, I was a bit embarrassed buying the issues because I felt like I was buying porn. Every issue of the first half of the series consisted of a painted cover of Emma in some provocative pose. Ironically, the stories on the inside had nothing to do with the sexy portraits on the outside. In fact, they were about her as a young girl growing up, attending school and dealing with her wealthy family members. Something about that felt almost...pedophiliac. The covers were geared toward an older, horny, straight male audience. The interior stories were geared toward adolescent and teenage girls. I almost feel like that's where Marvel Comics went wrong. They could have used Emma Frost to try to attract a young female audience to comic books. Instead, the series attracted the horny boy/guy by its sexy covers and then disappointed them by providing a Hannah Montana/teenage angst storyline. For this reason alone, I think the comic book failed after 18 issues.

The first sex...er, six...issues of the series takes place when Emma is a young girl in school. She gets picked on at school, she has a crush on her sympathetic teacher, and she's beginning to discover (and be frightened of) her mental abilities. We also see her in her homelife as one of the children of an affluent Massachusetts family. Her siblings have their own definite (and intriguing) personalities, her father is very controlling, and her mother is blissfully ignorant because of her prescription meds. All of this was fascinating and I was disappointed to see it end after six issues.

The next six issues were about Emma breaking free from the control of her father and living on the streets. During this period, she meets a man and they try to extort money from her father by her pretending to be kidnapped and held for ransom.

The final six, Emma has taken all of her ransom money and enrolled herself in college. She meets a fellow telepath who poses as her best friend but then secretly wants to destroy her.

The series was all wonderfully written by Karl Bollers, and I would have loved to have seen him write about 100 issues of each of those three segments of her life, continuing on into her joining the Hellfire Club and apparently having "romantic" trysts with some of Marvel's prominent male superheroes like Iron Man and Namor. What I also especially loved about Bollers' storytelling was his use of supporting characters in Emma Frost. Her family members, teachers, schoolmates, friends, etc. all had their own definite, unique personalities and I wanted to know about them as much as I wanted to know about Emma. That's the sign of great writing.

I'm sad that Emma Frost was cancelled after 18 issues. However, I still believe that there is a market out there for her stories as Bollers told them, if the series was properly geared toward the right audience. Not every comic has to be about battles and good vs. evil. Emma Frost's brilliant first six issues demonstrated that (if not for the conflicting Penthouse covers). Sometimes the writer can transport the reader away into the world of their superhero characters with just their social interactions. It's sad that Marvel Comics dropped the ball on this one.

Spidey Villains

As mentioned previously, I've been reading The Amazing Spider-Man again. I must say that I'm impressed at the updates to the Spidey Villains. First, I got a peek at the new (and much more deadly) Vulture. Now, with ASM #600, I got to see the "new" Doctor Octopus. Doc Ock has been hit one too many times in the noggin over the years, causing him brain trauma and a terminal condition (which echoes of Natasha Richardson). With nothing to lose, he strikes out at the city (and our webslinging hero) with a deadly force and little robot octo-creatures that remind me of some sci-fi (syfy?) movie I've seen. I'm looking forward to seeing what other villains are updated in the next 600 issues.

p.s. ASM #600 also had a couple of beautifully written backstories. One was Aunt May Parker sitting beside her deceased husband's grave, asking his permission to remarry. Another, and the most emotional, was the story of Uncle Ben learning to be a father to a teenage Peter. Kudos on both of these short stories!

Your Friendly Neighborhood Bi-Curious Spider-Man

I used to read the Amazing Spider-Man all the time throughout the 1980s. I followed him through the Secret Wars, the black suit, Todd McFarlane's art, etc. Spidey was my favorite Marvel comic, other than the Fantastic Four and Uncanny X-Men back then. In the past couple of years, I've started reading comics again (mostly DC characters), but picked up the recent "American Son" storyline in Amazing Spider-Man. I have to admit that it was pretty cool reading about the webslinger again, and I liked that his story wasn't crossing over into other comics that I'd have to pick up.

The humor was still there, and there have been some interesting turn of events: his nemesis J. Jonah Jameson is now the mayor, Peter is no longer (and apparently never was) married to Mary Jane, Aunt May is engaged to JJJ's father, Norman Osborn (aka Green Goblin) is in charge of the Avengers, and -- what's this? -- Peter Parker has the hots for his best friend, Harry Osborn? Yes, folks. There were some definite heavy homoerotic undertones throughout the story. The first one caught my eye, but I let it go, figuring it was a fluke. Then there was another...then another...and suddenly I was wondering if these were purposely placed.

Could it possibly be true? After almost 600 issues, could our Friendly Neighborhood Spider-Man be gay and have a secret crush on his best friend Harry? I'd love to see Peter Parker, one of the most famous, well-known, and beloved comic book characters come out of the closet. How awesome would that be? Especially since he's no longer married to Mary Jane. Alas, this will probably never happen in my -- or any -- lifetime, but I just had to ponder the thought of it because I felt some definite "vibes" from Spidey toward Harry. Sadly, even if Spidey/Peter were to come out, it doesn't seem like Harry would return his affections. This could be an interesting storyline in itself, though, as Peter wrestles with the feeling of rejection and coming to terms with himself as he once did with the death of his Uncle Ben.

At any rate, I look forward to seeing what Marvel has cooked up for our Friendly Neighborhood Bi-Curious Spider-Man.

Captain Snoozer

I don't normally read Captain America, but since he was getting a reboot, I thought I'd give him a try. I picked up Captain America 600 and 601, as well as Captain America Reborn #1. At the higher pricing of $4.99, $3.99, and $3.99, respectively, I feel Marvel could have provided something a little more interesting and exciting to get new readers hooked on their flag-clad icon. The issues had some interesting ideas in bringing the original Captain America, Steve Rogers, back to life, like introducing a "second shooter" ala JFK. Plus, I enjoyed seeing the Falcon, if only briefly.

Unfortunately, the rest of the story fails. I had no emotional connection and was truly bored. Even the "tributes" to Steve Rogers weren't interesting, and the "very special issue" touted on the cover of #601 wasn't special by any means. I expected something with some emotion attached, not a flashback story from the 1940s. It didn't move the character or story of Captain America forward in any way and certainly didn't intrigue me enough to continue reading Captain America, the comic. For the money, I'll stick to DC's rebirth of the Flash.

OLD MAN LOGAN

I'm not a regular Wolverine comic reader. I do love his character but usually steer clear of all mutant-related comics except for Uncanny X-Men because there are SO MANY X-Men and Wolverine comics out there that I can't keep up...and neither can my budget. Plus, I've always been more of a DC fan than Marvel, mostly because of the writing quality (with a few exceptions).

A friend of mine told me about the "Old Man Logan" storyline that recently ran through the Wolverine comic (issues 66-72) and told me it was a "must read." On his advice, I picked up all eight issues (at $2.99 each, that's a lot of cash to drop on a new series just on the advice of one person). They were all third or fourth variants; I guessed the story was that popular and in-demand, although I had heard nothing about it previously.

The story centers around Wolverine -- now just going by Logan -- 50 years in the future. And what a bleak future it is. The superheroes have all gone away and the US is divided into five parts, four parts being run by a different supervillain. The fifth -- in the middle of the country -- is just overrun with dinosaurs. (Yup, you heard me.) Wolverine is making a home with his wife and two kids in the Hulk Family-controlled part of the country when an old, blind Hawkeye pays him a visit and asks for his assistance. There are also random Marvel characters placed throughout the entire storyline. Not only is this a story about an aged Logan, it's a story about ALL Marvel superheroes (and villains!). We get to see their existence (or non-existence, as the case may be) fifty years from now.

I sat and read all eight issues in one sitting. All I can say is...WOW. That has to be the best Wolverine story I've read since his very first limited series back in the 80s (before he was super-popular and so well-known). It was SO well-written by Mark Millar and so beautifully drawn by Steve McNiven. What I loved most about the story was that there were so few words on the pages. I got to see the beautiful, realistic artwork, yet get a fantastic sense of the story. That's the sign of a great writer. He showed his audience the story; he didn't tell it.

The finale of the Old Man Logan story can be found in the September 23, 2009, release of Wolverine: Old Man Logan Giant-Size #1. I, for one, can't wait. After this, I would love to see (and buy) an Old Man Logan monthly series. This is one of the best pieces of work Marvel has produced. Ever. I, too, will recommend it to everyone.

Green Lantern, Interrupted.

I've always liked Green Lantern (Hal Jordan) as a character, but have usually always gotten bored with the stories that writers have presented him with. So throughout the 80s, I was very selective with my Green Lantern comics.

In the past year, I've picked up the Secret Origin storyline (issues 29-35) and started to enjoy that Hal was finally being written with supporting characters other than the multitude of GLs. Of course, I already knew most of this story (being that it was his origin all over again), but I enjoyed it nonetheless. First and foremost, he is an Earth man and should be treated as such, going through the same problems with his personal life that we, as non-metahumans, do. It brings life to the characters. That, to me, makes a really successful comic book.

But then after the Secret Origin storyline was finished, I got bored again. I had to keep checking the cover to make sure I had picked up a copy of Green Lantern and not Green Lantern Corps. What were all the other GLs doing in Hal's comic when they have their own? It was issue after issue... YAWN. I purposely don't buy Green Lantern Corps because I'm only interested in ONE Green Lantern: Hal Jordan. Just like with Star Wars, I'm basically only interested in one Jedi at a time.

Then in Green Lantern came the introduction of Agent Orange who was like a greedy, little kid (more yawns), and, whom, by the way does NOT look like the Gonzo the muppet as mentioned in the comic; he looks like an orange Uncle Deadly. It's not that it's a big deal...but if you're going to make a pop culture reference...please get it right!

Anyway, I'm still buying Green Lantern (at least through the Blackest Night storyline/event). I began reading GL #43 with sheer dread, hoping it wasn't going to be another GL Corps redux. WOW! It wasn't! It was an actual, decent storyline! Sure, there was no GL, but getting the background of the Black Hand was fascinating. That's the kind of storytelling I expect. Thank you...FINALLY. Let's hope the great storytelling continues after Blackest Night so I can continue reading the adventures of Hal Jordan, Green Lantern and not the ENTIRE GL Corps. Can we separate the two since they have their own books? Pretty please???

Hawkeye Returns! (Sort of...)

I first fell in love with the character of Hawkeye (Marvel's version of DC's Green Arrow) when the limited series of the West Coast Avengers came out in 1984. He was brightly clad, led the new (and, in my opinion, much better) Avengers team, and had an interesting love-hate relationship with Mockingbird (Marvel's version of DC's Black Canary). I followed him through the years until I stopped reading comic books somewhere around 1993.

Rejoining the world of comics books a year ago, I was excited to find a mini-series titled New Avengers: the Reunion coming out devoted solely to Hawkeye and Mockingbird. Yea! Unfortunately, Hawkeye (Clint Barton) is now called Ronin, whom I last recalled as being a samurai character in the DC Universe created by Frank Miller. It was jarring to say the least, but I'll roll with it, hoping that he'll lose that persona and go back to his original by the end of the series. Still, at least it's the same two characters, and I'm enjoying their reunion, as rocky as it may be.

Now (in Spring 2009) comes a mini-series called Dark Reign: Hawkeye. Yea! Come to find out, it's not Clint Barton in the blue and purple costume. It's Bullseye masquerading as Hawkeye in an attempt to discredit the Avengers. For example, Hawkeye (aka Bullseye) saves a woman from getting raped (yea!). When she asks him for an autograph, he stabs her in the eye with the pen (ouch!). The first two issues have been pretty good, but this is not your 1980s Hawkeye series. It's darker. It's grittier. And it's obviously much more violent! Here's hoping Clint Barton makes an appearance in the final issue and wrestles the Hawkeye title from Bullseye.

Thank you, thank you, THANK YOU!!

Dear DC Comics,

Thank you for bringing back Conner Kent (aka Superboy). I can't wait to read his monthly adventures, loves, and life in the new Adventure Comics.

Love,

A BIG Conner Fan

What's New With Superman?

Question: What's New With Superman? Answer: LOTS.

I haven't been a fan of Superman comics since John Byrne revitalized him back in the 1980s. Even throughout the "Death of Superman" and Doomsday storyline in the 1990s, the stories lacked luster. This was then followed by four new Supermen all vying for the title. Yawn. Wait...that sounds vaguely familiar. Oh, yeah...now I know. It's been 15 years since Superman "died" and now Batman has recently "died," and there are "new" characters from the Batman Family popping up everywhere in the new "Battle for the Cowl" storyline. Thankfully, this time around the concept seems more intriguing as they're using pre-existing characters that haven't gotten the attention they deserved over the years. But I digress...

Today, though, new life has been breathed back into all of the Superman-related comics (Superman, Action Comics, Supergirl, and the new Superman: World of New Krypton) and I now get excited to read each of them. What's the big deal? First, Jonathan Kent, Superman's adoptive father dies. As Superman tries to come to terms with the death, he suddenly finds 100,000 Kryptonians now living on Earth (from the lost Kryptonian city of Kandor that was kept shrunk aboard Brainiac's ship). The citizens of Earth become fearful and all Kryptonians except for Superman are asked to leave. Superman leaves Earth to return to his "homeworld" to be amongst his people, but more importantly, to keep an eye on them (especially General Zod, head of the military) because he doesn't trust them. New Krypton is also led by Supergirl's mother and after the death of her husband and Supergirl's father, Superman is a bit unsure about her stability as well. There are so many characters to enjoy and conflicts to witness that I'm never sure what's going to happen next. In her own title, Supergirl is discovering the mystery of "Superwoman" who uses unorthodox ways to issue justice. Is she friend or foe? Exciting!

Meanwhile, back in Action Comics and Superman's own title, someone has to take up the reigns during his absence. Enter: Mon-El (from the Legion of Superheroes), the Guardian, and the new duo of Nightwing & Flamebird. Mon-El provides a fish-out-of-water storyline that Superman probably had way back at his beginning in the 1930s/40s. Nightwing (not Dick Grayson from the Batman mythos) & Flamebird offer some mystery and...well, action...to the Action Comics title. The Guardian is...kind of average. I think we can do without him. He's probably my only disappoint with the new direction of the Superman comics. I just try to overlook him, but admire the shininess of his costume.

Way to go, DC Comics! Thanks for getting me interested in the Superman Family again.