Hello, Old Friends

Ever since its announcement, I've been looking forward to DC Comics' Convergence series and spin-offs.  Why?  Like a lot of long-time readers, I have a personal history invested in the "old" characters (i.e., pre-New 52).  Not only that, they seem to have more personality and character development than those in the New 52. 

Of the main series, I've read Convergence #0 and #1 so far.  It's been interesting, but even better have been the spin-off Convergence series.  The ones I've read from week one have been:   

• Convergence: Speed Force #1 - starring the (Caucasian) Wally West Flash and his two speedy kids
• Convergence: Superman #1 - starring Superman and his pregnant wife Lois Lane
• Convergence: The Atom #1 - starring an "I-Hear-Voices" Ray Palmer
• Convergence:  Nightwing & Oracle #1 - starring a romantically involved Dick Grayson and wheelchair-bound Barbara Gordon
• Convergence:  The Titans #1 - starring Donna Troy, Starfire, and Arsenal
• Convergence:  Harley Quinn #1 - starring a fully clothed Harley

All of got to say is:  FANTASTIC.  This is what DC Comics has been missing for the past four years since the inception of the New 52 Universe.  Not only does it bring back the characters that I know and love and that have an actual history, but it involves character development, human emotion/interaction, and decent dialogue.  Maybe people (myself included) wouldn't dislike the New 52 Universe so much if it wasn't focused on dreariness, flat emotions, battles/fight scenes, and cheesy dialogue.

With these Convergence titles, I get Wally West worried about his kids and wife, Superman looking forward to being a father, the Atom wigging out, Dick Grayson proposing to Barbara Gordon, Starfire being jealous about Dick's romance, Roy Harper still agonizing over the death of his daughter, Donna Troy working her photographer job, and Harley Quinn interacting with Catwoman and Poison Ivy again.  (Not to mention Captain Carrot's teammate Fastback chasing after Wally West!)  These are real human traits, feelings, and emotions, and they're what's missing from DC Comics today. 

The bigger question about Convergence is: Why is the storywriting so much better?  Is it due to the return of the better characters?  Or are they using writers who aren't fatigued and/or mandated to write crap? 

I'm not sure what the future holds for the DC Universe, but I'm thinking that if they decide to stick with the flat, two-dimensional characters of the New 52 Universe, then I'll probably drop several titles and maybe even quit reading comics all together again.  (And don't even get me started with the new Superman, Batman, and Wonder Woman; I've already canceled those comics.)  Until then, I'm going to enjoy seeing my old friends converge.

You Don't Know Dick

"Dick. That's an interesting name.  My bottom hurts just thinking about it." - Madonna

Cover of Grayson #1

Okay, so other than his first name, that song lyric doesn't really have much application to the new GRAYSON series starring Dick Grayson (former Robin, former Teen Titan, former Nightwing, former Batman), but how often do I get the chance to use it?

When this new series/title was first announced, I was a bit disappointed that Nightwing was being cancelled, as Dick Grayson/Robin/Nightwing has always been one of my favorite characters.  I guess DC thought he needed some shaking up.  While I was unsure about this new direction, I was glad that Dick was at least getting another series (and that he wasn't actually killed in Forever Evil).  And I appreciate the fact that they kept the elements of the Nightwing logo in the new Grayson logo. 

I read the first issue of Grayson and was surprised that I actually enjoyed it.  The story was fast-paced, yet not too bogged down in action.  It was very Mission Impossible-esque, and the cover reminds one of James Bond.  I guess Grayson is supposed to be the next great spy along the lines of those two famous spies. 

Interior art by Mikel Janin.

Speaking of the cover, I question why DC didn't use an illustration drawn by the comic's regular artist, Mikel Janin, when -- to me -- his art and characters look so much better than Andrew Robinson's.  It's so great, though, that they went with a hot pink background to really make Dick's dark outfit stand out.  It's very eye-catching.  

There was also some character development and interaction in Grayson, including appearances by Stormwatch's Midnighter and Helena Bertinelli, in her first appearance in the New 52.  The new Helena is much more Italian/Mediterranean-looking, and I'm curious to see if she'll eventually assume the Huntress persona or leave that to Helena Wayne on Earth 2.  Regardless, I'd like to see more of these two as regular supporting characters for Dick to interact with on a personal level. 

Helena Bertinelli

So far, I'm sold on Grayson, and I can deal without a Nightwing in the DC Universe for the time being. 

Pulling Strings

Nightwing #27 and #28 were two of the most interesting comics I've read in quite some time.  Why?  Both of these comics provided a healthy balance of Richard Grayson's personal life and his nightlife as crimefighting alter ego Nightwing.  That's something that's been pretty lacking in DC Comics ever since the invention of the "New 52."  It seems like they're trying to be grittier and more (dare I say it?) Marvelesque, focusing on battle scenes rather than the personal interaction between characters.  

I miss the insights into the lives of superheroes' "secret identities."  For me, that was always the heart of comic books and the reason why I kept reading them from month to month.  They were their own type of soap opera.  Battling villains was just something they did on the side.  

Remember when Dick Grayson left his Robin costume behind and said hello to Nightwing in New Teen Titans back in the 80s?  When Wonder Woman had to deal with a teenager's suicide?  When the Invisible Woman suffered a miscarriage?  That was great storytelling!  It made the characters feel real, making them more believably human. 

Comics from DC and Marvel no longer seem to be content-driven.  They're more focused on battle after battle and producing six-issue stories that feel overly drawn out just so they can collect them and re-sell them in the graphic novel format.  They've lost focus (and probably readers) because of it.  In fact, I've dropped a lot of comics of late because they've become so...boring.  Sometimes I can't even tell any of the characters or series apart anymore.  That's how bland and formulaic they've become.  

I appreciate that Kyle Higgins, the writer on the current (but soon to be cancelled) Nightwing series, provided some great storytelling, weaving Dick's roommate problems with his challenges with new villainess, the Marionette. 

Injustice Does Justice to the Justice League

I just finished reading the hardcover compilation of Injustice: Gods Among Us, Vol. 1.  It collects the first six issues of the Injustice: Gods Among Us series.  The story is very well-written by Tom Taylor and beautifully illustrated by Jheremy Raapack.  The hardcover that collects the first six issues is attractive itself, too.  I was very impressed by the initial presentation, and then became so thoroughly engaged with the storyline that I read all six issues within the book quickly.   

The series is based on the video game (which I've never played) and serves as a prequel to the events in the game.  The story involves the division of members of the Justice League into two "teams" going up against one another; one led by Superman, one led by Batman.  Superman and his followers want to right the wrongs in the world by any means (Machiavelli's "the end justifies the means" philosophy).   Batman, on the other hand, wants to right the wrongs within legal confines, using the established (albeit broken) justice system.  I won't reveal any spoilers, but I will say that the writer does a fantastic job of not only keeping the story moving, but also with developing each character's personality.   

The real injustice here is that Injustice: Gods Among Us takes place outside of the current DC Universe because this storyline is SO much better than Justice League stories currently being written in the New 52. What a shame that the talents of Taylor and Raapack are being wasted by not giving them a regular monthly series that takes place within the confines of the New 52 and delivers powerful stories with attention to characterization.  Instead, we're stuck with bland writers like Ann Nocenti.  Taylor also wrote the brilliant Rose and Thorn one-shot which was also a favorite of mine.  So, kudos to Taylor on his awesome writing skills. 

And the art in Injustice is so amazing and lifelike, too!   I've rarely seen superheroes like Superman or Wonder Woman look better (although I'm not sure why Lois Lane is a redhead).  

I look forward to reading the new ongoing Injustice series and (hopefully) watching the careers of Taylor and Raapack fluorish.  

This Joker's No Joke

After Batman's lame reboot in DC's New 52 with the never-ending Court of Owls saga, they followed it up with one of the best Batman stories ever: "Death of the Family."  Yes, it mimicked the original late 1980s "Death in the Family" title to try to grab some headlines and piggyback on that popular story's sales, but we'll forgive DC for that cheap marketing tactic.  

"Death of the Family" gave us the New 52 version of the Joker.  And he is freakin' scary.  How scary is he?  He removed his own face and then loosely reattached it.  And with every issue, the reattached face decomposed more and more as it barely clung to him, tied only with strings, with flies buzzing around the decayed skin.  Twisted!  

The story involved Joker haunting the entire Batman family of superheroes, including Robin, Red Robin, Nightwing, Red Hood, Catwoman, and Batgirl (alas, no Batwoman), and the stories ran into their own individual titles.  This is the story DC should have rebooted the Batman series with, but I can see why they'd save it in their back pocket. 

I was a little disappointed in reading the conclusion of the storyline in Batman #17.  I thought, "That's it?"  However, after a closer second reading, I appreciated it more.  It established an interesting (new) bond between Batman and Joker, and delved a bit more deeply into the Joker's past than ever before.  Joker's still up to his games all in the name of dark humor, but they're much more serious and deadly.  And I like it.  This Joker is extremely psychotic, making him all the more interesting.  I'd love to see even more character development with this new Joker.  

All in all, DC did a fantastic job with the entire "Death of the Family" storyline in Batman, including all of the related titles.  I hope they collect all 23 issues in one chronological graphic novel.  That would make for one fantastic gift.  

I give DC an "A" for effort and an "A" for content, and it almost makes up for the ongoing Owls saga (know when to quit!).  Let's hope the next time we see the Joker, he's paired with the new, darker Harley Quinn (aka Harlequin). 

Nightwing Swings Back Into Action

In reading the new Nightwing #1, I was pleased to see that there was basically no change to Nightwing/Dick Grayson's history and personality.  He's the same ol' Nightwing in the new DC Universe.  Whew.   

He's just coming off his gig as Batman and returning to the Nightwing persona.  The spiffy new black and red costume suits him well, better than most of the costume changes in DC's New 52.  His doesn't look like a 1990s redux.

In this issue, Dick mentions that he has "a thing for redheads," which, of course, is a wink-wink-nod-nod to the decades-long flirtation between Dick Grayson and Barbara Gordon (Batgirl/Oracle).  I hope there's something in store for the two of them in the near future, after all these years.  Babs deserves some happiness.  She probably hasn't "gotten any" in years!

I like that Dick is living in Gotham City again and that, in this first issue, Haley's Circus is back in town.  Dick visits some old friends/co-workers of his and, fortunately, a gloomy cloud doesn't follow his visit.  People are more focused on Dick's life than his parents' death many years ago.

The characterization, plot, and writing weren't overwhelmingly wonderful, but they didn't suck either.  The story is better when Dick is in his street clothes than his Nightwing costume.  There's a real human aspect to him which, unfortunately, we don't see too often in comic books. 

I look forward to what's in store for one of my favorite characters in the DCU.

Titans...Together?

The New Teen Titans was my favorite comic book in the '80s. I loved everything about it -- the stories by Marv Wolfman, the art by George Perez, the relatable characters, the character development, the relationships between the characters, the villains, and on and on. So when DC Comics decided to band the original team back together in 2008 into a new Titans comic, I was all for it. Many said that it was just DC trying to capitalize on nostalgia without providing any substance to the comic or giving it much marketing. And they were right.

The first year of issues rehashed several storylines that I felt I had read and re-read several times before like "Raven's Demonic Father Trigon Tries to Take Over the World" and "Jericho Gone Bad. Again. For, like, the 12th time. No, really. Those Titans are such SUCKERS." Sigh...I felt duped. And taken advantage of. And I felt that the Titans had been wronged. How could DC Comics treat their bread-and-butter from the '80s so horribly?

After these two failed storylines, Nightwing leaves the team as he becomes the new Batman. It's then that I felt that weird feeling in the pit of my stomach. It's not going to get any better, is it? Surprisingly, I was wrong. In an odd sort of way. With Nightwing out of the picture; Beast Boy (and possibly Raven, too) going to the Teen Titans; and Donna Troy, Cyborg, and Starfire moving to Justice League of America; the Titans comic is now focusing on the breakdown of the team. They're providing single issue stories, with each issue focusing on one character of the disassembling team. These are some of the best Titans stories I've read in years. Their disbanding is the best thing that ever happened to them. It's too bad DC couldn't have put this much energy and creativity into the comic when they weren't sending it into the crapper. I guess it's just as well. We all have to grow up sometime. Those who were your friends when you were young won't always be your friend as an adult. People grow apart. It's about time the Titans did, too.

What's New With Superman?

Question: What's New With Superman? Answer: LOTS.

I haven't been a fan of Superman comics since John Byrne revitalized him back in the 1980s. Even throughout the "Death of Superman" and Doomsday storyline in the 1990s, the stories lacked luster. This was then followed by four new Supermen all vying for the title. Yawn. Wait...that sounds vaguely familiar. Oh, yeah...now I know. It's been 15 years since Superman "died" and now Batman has recently "died," and there are "new" characters from the Batman Family popping up everywhere in the new "Battle for the Cowl" storyline. Thankfully, this time around the concept seems more intriguing as they're using pre-existing characters that haven't gotten the attention they deserved over the years. But I digress...

Today, though, new life has been breathed back into all of the Superman-related comics (Superman, Action Comics, Supergirl, and the new Superman: World of New Krypton) and I now get excited to read each of them. What's the big deal? First, Jonathan Kent, Superman's adoptive father dies. As Superman tries to come to terms with the death, he suddenly finds 100,000 Kryptonians now living on Earth (from the lost Kryptonian city of Kandor that was kept shrunk aboard Brainiac's ship). The citizens of Earth become fearful and all Kryptonians except for Superman are asked to leave. Superman leaves Earth to return to his "homeworld" to be amongst his people, but more importantly, to keep an eye on them (especially General Zod, head of the military) because he doesn't trust them. New Krypton is also led by Supergirl's mother and after the death of her husband and Supergirl's father, Superman is a bit unsure about her stability as well. There are so many characters to enjoy and conflicts to witness that I'm never sure what's going to happen next. In her own title, Supergirl is discovering the mystery of "Superwoman" who uses unorthodox ways to issue justice. Is she friend or foe? Exciting!

Meanwhile, back in Action Comics and Superman's own title, someone has to take up the reigns during his absence. Enter: Mon-El (from the Legion of Superheroes), the Guardian, and the new duo of Nightwing & Flamebird. Mon-El provides a fish-out-of-water storyline that Superman probably had way back at his beginning in the 1930s/40s. Nightwing (not Dick Grayson from the Batman mythos) & Flamebird offer some mystery and...well, action...to the Action Comics title. The Guardian is...kind of average. I think we can do without him. He's probably my only disappoint with the new direction of the Superman comics. I just try to overlook him, but admire the shininess of his costume.

Way to go, DC Comics! Thanks for getting me interested in the Superman Family again.