Unplug This Cable

When I first heard about the new monthly Cable and X-Force series, I thought: Good.  There's one title I don't have to worry about picking up.  Why?  Because Cable is a product of the awful 90s when comic books took a downward turn.  As are Domino and Dr. Nemesis.  Forge was interesting when he first came on the scene in the 1980s and romanced Storm, but then he, too, jumped on the 90s bandwagon.  No longer was it about storylines, character development, superpowers, or quality art.  It was all about misshapen, disproportionate men and women carrying weaponry.  It was about multiple issue covers, holograms, and foil-embossed covers.  In other words, anything to generate additional sales and not giving quality in return. 

However, (and you knew there had to be a "however"), when I heard that Salvador Larroca would be doing the artwork, I had to give it a shot.  He was amazing on Iron Man.  The detail that he puts into his art is astounding.  The characters look so real...and attractive.  To top it off, one of my favorite under-utilized characters -- Colossus -- was going to be on the team.  Colossus mixed with the Juggernaut = BAD.  Colossus mixed with Kitty Pryde/Shadowcat (or whatever name she goes by today) = GOOD.  Even though Kitty wasn't going to be a part of the team and they're not "together," I still wanted to see what was going to be done with Piotr Rasputin.  

Sadly, after reading the first four issues of the series, I'm disappointed.  The writer, Dennis Hopeless, provides no character development.  Instead, we're treated to some ridiculous storyline about aliens at a company.  Worse, Larroca's art doesn't seem up to par.  The art doesn't jump off the page like it did in Iron Man.  It lies there flat.  The cover art by Larroca is fantastic, but the interior art is disappointing.  

I think Cable and X-Force will soon be pulled from my Pull List.

Batman STINKcorporated

I'll say it again:  I am not a fan of Grant Morrison. And I still don't understand why DC chooses him over many talented other writers when he writes incomprehensible stories.  During the New 52 reboot, he was given the task of not only writing another Batman Incorporated series, but also the new Action Comics starring Superman.  I read neither.  

Now they supposedly go and kill off Damian Wayne in Batman Incorporated.  Let's discuss this.  DC chooses to do this dramatic story in Batman Incorporated and not in the Batman and Robin that I do read?  Isn't Batman Incorporated supposed to be about the many Batmans or Batman-like characters around the world?  Instead, the latest Batman Incorporated series has just been another Batman and Robin title.  WTF, DC?  Seriously.  

Whatever happened to the Batman Incorporated concept?  And why does this title even exist when it's just another Batman and Robin title?  Is Robin the Inc. in Incorporated?  

No, I'm not going to cave and start buying another freakin' Batman title just because DC decides to give Grant Morrison free reign with a title.  Kill Robin, see if I care.  But I won't read another Grant Morrison written comic again.   

This Joker's No Joke

After Batman's lame reboot in DC's New 52 with the never-ending Court of Owls saga, they followed it up with one of the best Batman stories ever: "Death of the Family."  Yes, it mimicked the original late 1980s "Death in the Family" title to try to grab some headlines and piggyback on that popular story's sales, but we'll forgive DC for that cheap marketing tactic.  

"Death of the Family" gave us the New 52 version of the Joker.  And he is freakin' scary.  How scary is he?  He removed his own face and then loosely reattached it.  And with every issue, the reattached face decomposed more and more as it barely clung to him, tied only with strings, with flies buzzing around the decayed skin.  Twisted!  

The story involved Joker haunting the entire Batman family of superheroes, including Robin, Red Robin, Nightwing, Red Hood, Catwoman, and Batgirl (alas, no Batwoman), and the stories ran into their own individual titles.  This is the story DC should have rebooted the Batman series with, but I can see why they'd save it in their back pocket. 

I was a little disappointed in reading the conclusion of the storyline in Batman #17.  I thought, "That's it?"  However, after a closer second reading, I appreciated it more.  It established an interesting (new) bond between Batman and Joker, and delved a bit more deeply into the Joker's past than ever before.  Joker's still up to his games all in the name of dark humor, but they're much more serious and deadly.  And I like it.  This Joker is extremely psychotic, making him all the more interesting.  I'd love to see even more character development with this new Joker.  

All in all, DC did a fantastic job with the entire "Death of the Family" storyline in Batman, including all of the related titles.  I hope they collect all 23 issues in one chronological graphic novel.  That would make for one fantastic gift.  

I give DC an "A" for effort and an "A" for content, and it almost makes up for the ongoing Owls saga (know when to quit!).  Let's hope the next time we see the Joker, he's paired with the new, darker Harley Quinn (aka Harlequin). 

The Bionic Mayhew

I received my monthly shipments of comics in the mail the other day.  As I was going through all of them -- BAM!! -- immediately the cover of Bionic Man #16 stuck out.  This was one sexy Steve Austin.  As soon as I saw the artist signature, I knew why.  It was drawn by Mike Mayhew, who also turned in a sexy vision of Hawkeye naked and tied to a chair, a la James Bond in Casino Royale.  This was the best I've ever seen Steve Austin look since the Bionic Man series from Dynamite Comics started.  It wasn't just the muscles, it was the handsome face and styled hair.  It's been awhile since I really stared and studied a beautiful cover.  It took this particular cover to do the trick. To me, Mike Mayhew is sadly underutilized.  He not only draws comics, he creates stunning works of art.  I look forward to seeing much, much more of his work. 

The Better-Than-Average Spider-Man

I started reading Amazing Spider-Man again with #583, the comic that grabbed all of the headlines because it featured President Obama on its variant covers.  I had stopped reading just before #400, when I quit comics all together.  I had never been as satisfied with ASM anyway, after the fantastic storylines of Spidey's black costume, the first appearances of Venom, and Todd McFarlane's art chores.  The stories were just kind of so-so.  

Amazing Spider-Man #698

Jump to #583 and beyond.  The stories still were just kind of average, but I still kept buying them.  I've put up with Mary Jane and Peter Parker splitting up as if they've never been married, Spider Island with a bazillion Spider-Man rip-offs running around NYC, the introduction of the annoying Alpha, and all of the extra "Point One" issues.  I even put up with ridiculous three issues per month stint with various writers and artists, making the series so incoherent and inconsistent.  Finally, Marvel signed on Dan Slott and went to a twice monthly publication (at a heftier $3.99 price tag), giving the series at least some consistency and regularity.  I truly admire Dan Slott for being able to put out so many stories of Spidey every month.  It's quite a feat.  Unfortunately, to me, the stories, again, have just been so-so (with the exception of the poignant issues, #655 and #657). That is, until issue #698 when it was revealed that -- SPOILER ALERT!! -- Doctor Octopus had mysteriously switched bodies with Spider-Man, leaving our web-headed friend in a dying body.  Even the cover is one of the best I've seen since picking up ASM again.  At first you think Doc Ock has discovered Spider-Man's secret identity and is calling him out on his deathbed.  Only inside do you discover that that's actually Peter saying his own name to try to get people to help him.  Now, that's AMAZING.  

There are a lot of angry readers out there, disgusted by the thought of a "Superior Spider-Man."  I, for one, am actually looking forward to where Slott is going to take us with Doc Ock as the new Spider-Man, since this is one of the best storylines I've seen for Spider-Man in YEARS.  I also wonder when Peter Parker will "come back to life" and take back control of his own body.  And...will the series still be called Superior Spider-Man?  Or will we see the dawn of another Amazing Spider-Man title?  Will the sequencing start over again with #1?  Or will it return to the 700s?