Firestorm Burns and Fizzles

I was going to write about the comics that I read last night and then I realized that, for the life of me, I couldn't remember what they were.  Obviously, that was a telltale sign of how interminably unmemorable they were.  I knew it was two consecutive issues from one of DC Comics' New 52 series, but I could not remember which one.  After going down the list of titles two or three times to see if something would jar my memory, I finally remembered that it was The Fury of Firestorm: The Nuclear Men #s 4 and 5. 

In the 1980s, I really loved the character Firestorm (aka Ronnie Raymond and Martin Stein).  In fact, I even liked the Jason Rusch Firestorm series from 2004.  I cannot, though, get into this new series with the idea of multiple Firestorms.  It's too reminiscent of the Green Lanterns.  What's next?  The Firestorm Corps?  When someone in need yells out, "Help me, Firestorm!", twenty heads shouldn't turn.  

Not only is the concept unappealing to me, but the first five issues of The Fury of Firestorm: The Nuclear Men have been complete snoozers.  Unfortunately, I can't even recall what has happened so far in the series; that's how boring it's been to me.  I guess with the revival of Ronnie Raymond as Firestorm, I expected MUCH better.  I also expected better from the high-quality writers of this series.  Silly me.   

Catman Scratches His Way Into Target

When I visit Target, I usually wander down the toy aisles, checking out the new superhero action figures.  I don't purchase any of them (anymore), but I like to look at them and keep abreast (wink wink nod nod -- that's for all you straight comic book geeks) of what figures are being produced and how good they look.  My heart skipped a beat this past week when I stumbled upon a Catman action figure.  As you know, he's this blog's namesake.

I never liked Catman much as a kid.  He was always portrayed in the Batman comics as a big doofus.  Then in 2005, Gail Simone used him in the Villains United mini-series, which eventually paved the path for the Secret Six series.  She took a lame and relatively unknown Batman villain and turned him into a sexy villain with a heart.  I liked him so much that I used him as the basis for this blog.  Although he has yet to appear in DC's New 52, Catman's name still graces the top of this webpage. 

So...back to Target.  I picked up the Catman action figure off the shelf and began to examine it.  It was beautiful.  Unfortunately, I couldn't justify spending $15 for something that would probably just sit in a box at home.  If I made money off this blog and/or had an office for my creative work, I would pull out all the stops and have Catman paraphernalia proudly displayed.  However, this isn't a perfect world, and that isn't the case.  I can just hope that someone gives that Catman action figure a good home. 

Welcome Back, Babs!

I know a lot of people have been skeptical about Barbara Gordon being able to walk and becoming Batgirl again.  This, however, was one change in DC Comics' "New 52" that I was actually looking forward to.  I was never a fan of Cassandra Cain's darker version of Batgirl and, though I read the entire series, I never felt that Stephanie Brown quite captured Batgirl's essence.  

I'll miss Oracle, but having Babs back in action is, I think, a good thing.  She is the one true Batgirl.  The only difficulty I'll have reading the series is picturing Babs as a free-spirited young adult again, instead of as the older,  wiser, cautious, and set-in-her-ways Oracle.  Does this mean that Babs is younger than Kate Kane?  And now we'll have a Batgirl and a Batwoman both as redheads.  What will Gotham City's villains think?  That they're mother and daughter?  

After some significant lagging in her writing abilities with the later issues of the Secret Six (did she stop caring?) and her Wonder Woman run, I see that Gail Simone is back at the top of her game in the new Batgirl.  It was a great opening story to what looks like a "fun" series and gave a brief, but reasonable, explanation for Barbara Gordon being able to walk again.  I also like that Babs has a recurring fear of being shot again.  It gives her a weakness, and it'll make for some great storylines in the future. 

I'm sold.  If no other new series, I look forward to reading Batgirl for years to come.

The W in Wonder Woman stands for WTF

It's not Wonder Woman's fault her comic has never been as popular as Batman...or even Superman.  She's the victim of low standards. 

Wonder Woman #9 (1987)

I've always tried to support the Wonder Woman comic book series so it doesn't face extinction.  I read all 44 issues of the 2006 series reboot, even though I thought all the stories were pretty lame and didn't even come close to the quality of George Perez' reboot in 1987.   Perez utilized a great balance of Diana's past and present lives.  Her innocence and naivety in "man's world" was her charm.  Her character had depth; she was more "human" in her emotions than the humans with whom she came into contact.   Her supporting cast each had distinctive, interesting

In the 2006 series, Wonder Woman was pretty two-dimensional.  She had no substance or personality.  When she wasn't acting as secret agent Diana Prince, her adventures were too steeped in boring mythology.  She had a supporting cast of hundreds, all with unpronounceable and unmemorable names.  Basically, she was/is DC Comics' Thor. 

When I heard about Wonder Woman's latest reboot, I thought, "Hooray!"  I love Gail Simone's writing in the Secret Six and Birds of Prey series, but I didn't feel she (or the writers prior to her) ever did Wonder Woman justice.  I was even looking forward to the much-despised and talked about new costume if it meant that she was finally going to become a first class act. 

Unfortunately, what we -- the readers -- instead received was a confusing tale of some unfamiliar Wonder Woman.  Her origin is different.  Her costume is different.  Her personality is different.  And the stupid white apes she was living with (seriously?) have been replaced by a talking black cat, a la Sabrina the Teenage Witch.   I'm guessing this is leading up to being a Wonder Woman in some parallel universe storyline that will lead into the new Flashpoint event (with a return of her old costume to appease fans), but it's been a lame ride so far.  And, frankly, I'm quite disappointed.  No wonder studios don't want to greenlight a movie -- or even a new TV show -- about our star-spangled heroine.  If DC can't achieve quality in her comic book, who's to say a movie or TV show would do any better?  

Wonder Woman #604 (2011)

After every issue of Wonder Woman, I'm can't help but wonder, "WTF?"  

It's about time someone stepped up to the plate and gave our Amazon Princess her due. 

Wonder Woman Turns 600

The trinity of superheroes at DC Comics are all celebrating milestones this month.  Batman and Superman both reached their 700th issues.  And now there's Wonder Woman, reaching her 600th.  It's not technically her 600th, but since her first volume contained 329 issues, her second 226, and her third 44, if you add them all up, the next issue would be 600.  And that works for me, because I think she deserves to be recognized for surviving so long as an under-appreciated character.  

Wonder Woman's milestone turned out to be the best of the three (save the best for last?).  The first story within Wonder Woman #700 was beautifully written by Gail Simone.  It was drawn by and "inspired by" the ever-fantastic George Perez and I see why.  The tale harkened back to when George Perez took the reigns of Wonder Woman back in the 1980s and gave her a fresh start and look. Diana was a fish out of water back then, and I was very happy to see the return of Julia and Vanessa Kapatelis.  It was a return to the uncomplicated stories that were full of heart and not so Greek god- or Amazonian-based. 

The next two stories featured Power Girl and Superman, respectively.  Two mighty players she could team up with against a powerful villain.  Instead, she dealt with both on a humanistic/personal level.   Power Girl's story was a little silly, but still cute.  I thought it was great that Power Girl looked up to Wonder Woman as an idol, even for the smallest  advice about her cat (no sexual pun intended). 

I'm not quite sure what to think of the last story in the giant-sized issue.  It's a lead-in to the future storyline of Wonder Woman starting in issue #601.  It features Wonder Woman's new costume, which is all abuzz in the news.  To me, the storyline seems kinda Lost-ish.  From my understanding, time has been shifted, Paradise Island has been destroyed, and she had a different origin story, hence the new costume which, by the way, is very Black Canary-ish.  (That's my second "-ish" in case you're keeping count.)  She has to try to get time back in alignment?  At least that's what I got out of it.  Hmmm... I'm not so sure about that direction, if that's what it is.  That seems beyond the scope of Wonder Womandom and a bit overdone.  DC has been doing too much lately with parallel worlds/earths and time travel (Bruce Wayne coming back to "life," Booster Gold bebopping all over the time continuum, bringing Superboy back to life from the future, the Legion of Superheroes going back and forth between their time and ours, etc.).  

I'll keep reading Wonder Woman, though, because I'm curious about her future.  And she needs all the support she can get!  (Again, no sexual pun intended.)  Here's to another 600 issues!  (Let's hope she never has another #1.)

DC Takes a Crap on the Teen Titans

I know that I recently reviewed the downward spiral that is DC Comics' Teen Titans, but after reading the latest issue (Teen Titans #83), it bears repeating.  Why has DC decided to crap on the Teen Titans? 

When Geoff Johns revamped the Teen Titans and wrote for the first 40 or so issues, the Teen Titans were fantastic.  Again.  The writing harkened back to the days of Marv Wolfman writing the New Teen Titans back in the 80s.  Now, I'm not saying that Johns is the end-all and be-all of comic book writers.  He's great, but I think there are a lot of other talented writers out there as well. 

After Johns, Sean McKeever took over the Teen Titans and it was tolerable.  Not great, but tolerable.  It's like he was keeping them afloat until DC could find another suitable writer to be Johns' worthy successor.  Now DC has brought onboard Felicia D. Henderson who has absolutely no comic book or superhero writing experience.  Her background includes TV series like Fringe; Gossip Girl; Everybody Hates Chris; Soul Food; Sister, Sister; Family Matters; and Moesha.  The last time I checked, the Teen Titans wasn't a cheesy family sitcom.  Wait a minute...scratch that.

With Henderson, Teen Titans has gone from mediocre to bad.  I know the Teen Titans features teenage characters, but does the writing have to appear like it was written BY a teenager?  The storyline and dialogue are amateurish at best. 

Here are some examples from the latest issue, #83:

Blue Beetle: "Want to go get something to eat?"
Static: "Thanks, man.  But I'm spent. Think I'll raid the fridge and crash."
Blue Beetle: "Dakota was crazy, huh?"
Static: "Much and very."
Blue Beetle: "Everything okay, with the fam?"
Static: "Yeah.  You know. They miss me. I miss them."

Later...
Static: "Hey, I decided I wanna go out and get something to -- looks like you're taking off."
Blue Beetle: "Have to."
Static: "What's wrong?"
Blue Beetle: "Holocaust nearly killed us.  Something weird's going on with Miss Martian. We're going to have to go to another dimension to find Raven. Who knows what we'll face? Who knows if we'll get back? I need to see my mom."
Static: "I feel you."

Superboy: "She's acting all weird like she doesn't want me around.  And it's getting really old, really fast."
Impulse: "If you don't know what's going on, why don't you ask her?"
Superboy:  "Because if Cassie [Wonder Girl] doesn't wanna be with me she should just say so."

Wonder Girl: "Can we talk?"
Superboy: "Yeah.  Come on in.  So...what's up with you?"
Wonder Girl: "Nothing.  I mean, everything.  In case you haven't noticed, Raven's missing, and I'm the leader now, and it's a lot of pressure, and --"
Cut to: Superboy kissing Wonder Girl up against the wall.
Superboy: "That make it better?"
Wonder Girl: "No...make it harder."

Huh?

Superboy: "...anyway, we're kissing.  It's heated.  I'm thinking, we're fine!  But then Rochelle busts in."
Impulse:  "No way."
Superboy: "Oh yes."
Impulse: "Don't worry, dude. She's hot and she carries around her own rope.  You'll get together again."
In walks Wonder Girl: "Unfortunately, we're together right now."
Superboy: "Cassie!  Can you just tell me what's going on?"
Wonder Girl: "Are you serious?"
Superboy: "I know how it sounded but I was just getting advice."
Wonder Girl: "I'm the leader here. How's the team going to respect that with you sharing my business like that?"
Superboy: "I'm sorry."
Wonder Girl: "And that helps me how?"

Wonder Girl: "Lorena, have you ever been to that undersea area?"
Aquagirl: "No.  No one has.  Down that deep there are sea creatures unlike any other.  Some are really dangerous."
Bombshell: "She's asking if you can handle the pressure, water wimp."
Aquagirl: "You're two seconds from finding out how lucky you are to have an onsite operating room."
Wonder Girl: "Are you serious?  Get it together, you two."

Are YOU serious, DC?  Get it together. 

Why am I complaining so much?  Because I have an emotional investment in the Teen Titans that dates back to the 80s.  Because I hate to see them -- for lack of a better term -- crapped on.  And because DC is charging $3.99 a comic for a horribly written superhero team comic book that features equally horribly written back-up features.   I was relieved when the Ravager back-up tale (written by the aforementioned Sean McKeever) was ending and looking forward to the new Coven story featuring Black Alice.  After reading the first installment, I have to wonder:  Is Gail Simone the only writer that can pull off the under-used, weird, and dark Black Alice?

Sorry.  I just had to vent.  With so many quality DC comics out there, why do the Teen Titans have to suffer?

Filler

Filler. Yup. That's what DC Comics' Faces of Evil "event" is.

Using only a handful of writers (e.g., Geoff Johns, Gail Simone) on their regular staff instead of employing more talent (they won't even consider submissions for writers), DC has gotten behind in producing comics on schedule. So what's a comic company to do? Stage an "event." In this case, it happens to be the well-intentioned, great-on-paper, and poorly executed Faces of Evil concept. I've found that besides not really being about the villains' points of view, most Faces of Evil stories across the DC Comics' comics aren't even part of the current storyline. And basically...suck. Why? They're using "guest" writers and artists to fill the spots so the regular writers and artists get some time to catch up on their work.

Case in point, I just finished Justice League of America #29. This story --surprisingly-- actually was from the villain's point of view. Which villain, you ask? Starbreaker? Who? Um...Star...breaker? Starbreaker first appeared in Justice Leaague of America (vol. 1) #96 in 1972. Wow. That's a pretty generic name, you may say to yourself. And you'd be right. A pretty generic name, a pretty generic villain, and a pretty generic story. In fact, reading JLA #29, I felt like I was actually reading a comic book from the 1970s (note: that's not a good thing). There was the cheesy, generic villain; the cheesy, generic dialogue; and the cheesy, generic battle sequence. My brain hurt from reading JLA #29.

I'm very disappointed in DC Comics' execution of Faces of Evil. It was an "event" I was looking forward to, but ended up being sadly disappointed in. So much for the villains getting their day in the sun. Perhaps they should have hired some "new" talent who could have actually done something special instead of just providing "filler."

Hmmm...I Wonder...

What's it like to be a writer for Wonder Woman? She's gone through so many incarnations over the years that I'm not sure that she really has a defined personality anymore. I guess you just kind of wing it and do whatever you want?

Based on their personality profiles, I could tell you who many of the superheroes are, but it seems that Wonder Woman -- although one of my favorite characters -- never has a consistent one. When last I left her in the 1980s, Wonder Woman had re-emerged in the DC Universe as a sweet, innocent, naive child of a small unknown island. She was taken in by the motherly Julia Kapatelis and befriended Julia's daughter, Vanessa ("Nessie"), as she tried to assimilate herself in "man's world." The stories were touching and showed a "human" side to the Amazon. One of them about a young girl's suicide was one of the most well-written stories I've ever read in a comic book.

Doing a little background check on what I've missed, I discover that Nessie became the Silver Swan and tried to kill Wonder Woman. Not only that, now that whole history has been wiped out and Wonder Woman lives in a world where Julia and Vanessa never even existed. And recently, the peace-loving women of Princess Diana's homeland have attacked the U.S. in Amazons Attack! How about that?

Re-joining Wonder Woman with her latest series' incarnation in "Ends of the Earth" from WW# 20-23, written by my favorite Secret Six author, Gail Simone, I have to say, "Huh?" Wonder Woman is tough-as-nails and in some weird dimension, wearing a fur-lined uniform through the snow that Sarah Palin only wishes she could pull off while snow-shoeing in Alaska. She's joined by two other Wonder Women, both wearing outfits veering slightly from the normal Wonder Woman uniform, one being a Princess-Leia-in-Return-of-the-Jedi-like bikini slave outfit. Oh, and she has a claw. Then she meets Beowulf. Yes, that Beowulf. Cut to: the story arc ending (thankfully!) with her bringing back to modern-day Earth some devilish-looking giant and battling him in the reflection pool next to the Washington Monument. Whew. Got all that? Meanwhile, Donna Troy is housed up in Diana's apartment with a bunch of tall, white, intelligent gorillas. Um...yeah.

I think it's time someone took the time to define Wonder Woman's personality and give her some stories that are worthy of her name.

Secret Six...the ongoing series

After reading Villains United and the Secret Six mini-series, I was SO excited to learn that The Secret Six were getting their very own ongoing monthly comic, written by Gail Simone, the writer who made me fall head over heels for the team members originally, and drawn fantastically by Nicola Scott.

I've now read the first three issues of the ongoing series and all I can say is, "Meh." What happened to the wonderful character development? What happened to the weird conversations with Ragdoll? And, most importantly, what happened to giving us some sexy Catman action?

Sigh...

I'm sticking with you, Gail, but I hope you can make me drool with antipication every month like you did with the previous limited series.

Villains

As I started getting back into comic books after a 15-year sabbatical, I recall seeing Salvation Runin the comic book store, but skipped over it until halfway through the series when I finally realized what it was actually about (since the title was NOT a dead giveaway). I then picked up back issues and followed the series through its end. I'm not sure how sales were for Salvation Run but, in my opinion, it might have done better with a clearer title. But I digress...

The idea that a large number of DC Comics villains were sent to a "prison planet" intrigued me, as it recalled Marvel Comics' Secret Wars back in the 1980s. Plus, I do love mustache-twirling villains (what would a hero be without a villain?) and its rare that a villain is the star of a comic book series. While Salvation Run was just "okay," I did discover that DC had put out another comic about villains a couple of years previous called -- what else? -- Villains United. I picked up all the back issues (because I do loves me some villains!), despite not being incredibly thrilled with the line-up other than Cheshire, whom I've always liked as a character since my 1980s New Teen Titans days. Immediately, I was drawn in by Gail Simone's storytelling and character development. Further, I discovered that the storylines were very adult-oriented and "spoke to me," if you will. The old Batman villain (and Catwoman knockoff) Catman is now hot and sexy? Cheshire flirts with him, they fall into bed, and have a child together? A new Ragdoll has a twisted sense of humor and is seemingly in love with a Parademon from Apokolips who looks after his welfare? Vandal Savage has a daughter code-named Scandal who's a lesbian and partnered with fellow teammate Knockout who's also from Apokolips? The also now-sexy Deadshot is caught in bed with Knockout as Scandal walks in on them?! SCANDALOUS! I love it! These are not your 1980s comics characters! And suddenly, I'm in love with all these minor characters I didn't know I could instantly love!

I voraciously devoured every issue featuring the Secret Six that I could get my hands on (including their appearances in Birds of Prey). I was a bit disappointed that the Parademon was taken away from us too soon because I loved the twisted chemistry between he and Ragdoll, but I was grateful for Simone to bring on the equally twisted "new" Mad Hatter. And then I was pleasantly elated when Ragdoll disposed of him by pushing him off a cliff because, truly, one eccentric person in the group is enough.

Losing Knockout to death in Birds of Prey was a bit sad...but quickly gotten over. She always seemed generic and disposable to me whereas a few of the other Secret Sixers are certainly not.

So, with all that said, it's not difficult to guess that I am full of anticipation for the new ongoing Secret Six series featuring Gail Simone's writing. I wish it (and her) much success as I want to continue to read where the future takes some of my newfound favorite characters month after month after month. And, it goes with saying, that I look forward to many future sexual (and sometimes bizarre) escapades of the Six.