All the Single Ladies

I just finished reading a few of Marvel's new #1 comics, specifically Fantastic Four #1, Ms. Marvel #1, and She-Hulk #1.  

Ms. Marvel and She-Hulk were both sensationally crafted stories, which is too rare from DC and Marvel NOWadays.  What made these two first issues so great was that they were both character-driven.  They didn't rely on fighting villains and battle sequences.  They gave the reader insight into the main characters as actual characters, people who just happen to be (or will become) superheroes.  Ms. Marvel tells the story of Kamala Khan, a teenage Pakistani-American.  She lives in a house where her parents have old-fashioned values.  Because she's somewhat of a nerd, a good kid, and physically and religiously different from others at school, she's not popular.  She does have her friends, though, and we're introduced to them as well.  She reminded me a lot of a female teenage Peter Parker when he was new at being Spider-Man.  The entire issue served as an introduction to Kamala the person.  Only at the end of the issue do events begin that will (we assume) lead to her becoming the new Ms. Marvel.  The artwork seemed well-suited for this particular comic, too.  It reminded me of an independent comic.    

Because of the cover, I wasn't sure if the new adjective-less She-Hulk comic was going to "break the fourth wall" like John Byrne's Sensational She-Hulk did back in the 80s.  The nostalgic part of me was hoping it would, but the sensible part of me thought it might seem redundant and not be pulled off as successfully.  Spoiler alert: it doesn't.  The first issue is about Jennifer Walters, Esq., who just happens to be big and green.  The writer, Charles Soule, focused first on Jen as a person, not as a superhero.  We see her in her everyday life as a lawyer, doing some heroic things on the side, including a visit to Tony Stark (aka Iron Man), but it's not the main focus of the book.  It was an interesting story about Jen acting as an attorney for a woman in need, as well as figuring out her own future.  I'm not as crazy about the artwork for She-Hulk as I am for Ms. Marvel, though.  It seems almost too basic and cartoon-like, and doesn't portray Jen as the beautiful (but green) woman she is.  I think I'll get used to it, though, and appreciate it for what it is.

Both Ms. Marvel #1 and She-Hulk #1 were steps in the right direction content-wise, and they've quickly jumped to the top of my must-read list on a monthly basis.  I'm already looking forward to (and can't wait to read) the second issues of each. 

Sadly, as expected, Fantastic Four #1 was pretty humdrum.  I think it's about time they lose the "World's Greatest Comic Magazine" title until they've really earned it again.  And what was up with those new red costumes?  There was no explanation given to the reader.  And why in the roster did they list "Susan Storm" instead of Susan Richards?  She hasn't used "Storm" as her singular last name since she married Reed in the 1960s.  Other than marketing purposes and sales, I'm not sure what constituted another #1 issue of the Fantastic Four after they just had one last year.  The only interesting turn of events that happened was that Ben went back to Alicia and told her he wanted to see her again.  Where's the banter between Ben and Johnny?  Where's Johnny, the ladies man?  I'm really trying to love the Fantastic Four comic again like I did in the 1980s, but every resurrection since I started reading them again in 2008 doesn't measure up.  The story and dialogue are average at best.  Should we begin looking for a new #1 in 2015?

Captain Marvel-less

When I heard last year that Ms. Marvel was being "promoted" to Captain Marvel and getting her own new series, I thought, "Well deserved!"  Back in the day, Ms. Marvel was created as Marvel Comics' answer to DC's Supergirl; she was the female version of a male powerhouse.  I've always liked her character since her days as Ms. Marvel in the 1970s and Binary in the 1980s.  I also loved the connection between she and Rogue (back when Rogue was ultra cool, a bit wicked, and not some hooded no-personality with a daddy fetish).  There was such animosity between the two that led to some great tension in the X-books.  Ms. Marvel may have started out as a "super girl," but she became so much more.

My first reaction a year ago to the released images of Ms. Marvel as the new Captain Marvel was, "Why are they making this once-sexy woman look like a bird-headed dyke?"  Yes, that was a brash and stereotypical thought and comment.  However, it wasn't far from the truth.  Her new hairstyle did look like that atop a cockatoo, and not unlesbian-like. 

Despite my initial reaction, I gave the series a try, and I recently had the chance to read the first year of the new Captain Marvel series.  Sadly, I'm underwhelmed.  The stories and characterizations are very mediocre.  The time-travel saga with the female pilots felt like I was caught in a time loop and couldn't get out.  The highlight of Captain Marvel's first year was probably the guest appearances of Monica Rambeau, the 1980s Captain Marvel, another character I really liked. She could make for a great regular supporting character. 

Fortunately, in the later issues, Carol Danvers is letting her hair grow long again and gaining back some of her feminine appearance, but the stories still feel lacking to me.  Worse, the art has gotten poorer with Filipe Andrade's distorted imagery of Captain Marvel.  For instance, what's happened to her face?   It's enough to send children screaming.  Is there a new Cubist movement?

I don't see myself continuing to read the new Captain Marvel series.  It feels like such a letdown, which is disappointing because Marvel has so many great female characters in their universe, but too few solo female comic books.  There's Captain Marvel and, um...Red She-Hulk.  Is that it?  Am I missing any?  Even Marvel Comics' new upcoming female-only X-book is simply titled X-Men.  What's that about, ladies?  Marvel would probably reply, "Female-driven comic books just don't sell."  The reality, though, is that crappy comic books don't sell.  It doesn't have to do with sex; it has to do with quality storytelling (and art). 



 

OH Mighty Is-Is-Isis!

I looked forward to the new 2008 Titans series when it was released because it brought together the heroes from my favorite 1980s comic: The New Teen Titans. Unfortunately, the stories were pretty weak up until the "final" issues when each character had their own spotlight issue.  With issue #24, Titans changed its format and became Titans: Villains for Hire (without the "Villains for Hire" in the title).  I'm still not sure why DC chose to revise the entire format of the Titans series and continue the numbering rather than starting anew like they did with Green Arrow, Birds of Prey, Red Robin, etc.  I don't feel that Titans is an appropriate title for this Villains for Hire book.  It's quite the tarnish to the Teen Titans name and doesn't accurately reflect the storylines or the characters.  Confusion aside, I enjoy seeing a regular monthly comic featuring some of my favorite characters: Arsenal/Red Arrow, Cheshire, Deathstroke, and Osiris, Isis' brother.

JoAnna Cameron as Isis

I can't thank DC Comics enough for bringing Isis back to life in recent Titans issues.  She's one of my favorite characters.  I have such fond memories of watching the live-action Shazam! and Secrets of Isis TV shows on Saturday mornings back in the 1970s.  So when Isis first appeared in the year-long series 52 in 2006, I nearly wet myself with excitement.  DC did a fantastic job of bringing her into the Shazam/Captain Marvel family (how apropos) by making her Black Adam's love interest.  See: my Black Adam mini-series review.  However, like with Conner Kent/Superboy, though, I was sad when she was killed off, but relieved now that DC is finally bringing her back to life in the current Titans series. I hope this time it's for good and she and Black Adam can finally have a life together.  Someone needs to calm that boy down.  In their own monthly series, of course.

As a side note, not only has Isis come back to life, but she's also been granted Double D-sized breasts.  Seriously, what's up with that?  Can we get those babies in check before they slip out of the gauze that's holding them up?





They're so big, in fact, that she's top-heavy now and can't even stand up.  (See below)  Poor Isis.  How the Mighty have fallen.  

Black Adam

The Black Adam mini series (2008) was one of the first comic arcs that I read upon my return to comics after a 15-year absence. Why? I've always had a fondness for the Marvel Family that dates back to the 1970s. Now, I'm not talking about Marvel Comics. I'm talking about the Marvels: Captain Marvel (Shazam), Mary Marvel, Captain Marvel Jr., etc. Growing up, I used to love watching the Shazam! live-action series that came on every Saturday morning. To a young kid, it was way cool. Now, I don't recall if Black Adam was ever on the TV show (I don't think he was), but since I was happy to see one of the members of the Marvel family currently being used by DC Comics, I picked up the entire Black Adam: The Dark Age series to give it a shot. I was given an even sweeter treat when I discovered that the series also featured Isis ("Oh mighty Isis"). Come to find out, DC had, after all these years, created (and killed) an Isis character based on the Shazam! show's sister show Isis. Woo hoo! How psyched was I?

In the mini series, Black Adam is mad as hell at the world (and he's not going to take it anymore). He wants the love of his life, Isis, back. Dammit. And he'll kill anyone (and does) to get her back. Yes, Black Adam is evil and a murderer in all senses of the words, and quite possibly could be considered a terrorist. So imagine an entire mini series revolving around his character?

The story takes place in mythical countries in the war-torn Middle East, and the violence is astounding (yet necessary and purposefully used to tell the story). In fact, the story was SO well written by Peter Tomasi that I actually felt sorry for Black Adam. (Of course I had my own selfish reasons for wanting Isis back alive.) The art by Doug Mahnke was amazing, too. He really brought the story (and violence) to life. Now if only we could get these two to do a Black Adam continuing series with the same murder, mayhem, and terror. Oh, and love. Ah, l'amour...