Lost Your Own Series? Come Join the Avengers Academy!

I caught up with Avengers Academy over the weekend.  (I was about five or six issues behind!)  I have to say that AA is probably my current favorite Marvel comic.  It's very fresh and relevant and, thanks to writer Christos Gage, the characters become more and more developed with each issue, as they explore their relationships with one another.  Gage gives each member their own personality, incorporating diversity in a subtle (or not so subtle) way. 

Avengers Academy #1

During Marvel's Avengers explosion of 2010, I sampled each new Avengers comic, only sticking with the Academy after the dust settled.  They were the only team to offer something different, and they reminded me of the New Mutants when they first debuted in 1983.  And, having been a huge West Coast Avengers fan back in the day, I was happy to see Tigra used again, this time as a teacher to young Avengers-in-training.  

I liked the possibilities of characters Veil, Hazmat, Mettle, and Reptil during the first several issues.  However, I felt that Finesse and Striker were too generic, both in their codenames and their personalities.   The name "Striker" reminds me of a character from the Airplane! movies, while "Finesse" sounds like a hair product.  They also have black and white costumes to match their bland, angry personalities.  

When it came time to shake things up during a roster change (circa issue #20), I was disappointed that Veil was the one to go.  She was my favorite character and had what I thought was the best costume.  What about Striker or Finesse?  I felt like they could leave and nobody would even notice they were gone.  

New additions to the team were -- surprise! -- Lightspeed (from one of my favorite 1980s comics, Power Pack) and White Tiger, whom I had never heard of, but I liked the costume, despite being black and white, colors already in abundance at the Academy.  I was excited to see Julie Power join and grateful that at least one of the Power kids was finally being used in a series and allowed to grow up outside of the confines of the Fantastic Four's Baxter Building.  She's more a teenager now with a more adult costume (hello, bare midriff!).  (Note to FF:  let the other Power kids grow up a bit, too!)  She also comes with secrets that I never would have guessed (more on that later).   Additionally, I was pleased to see series-canceled teens Spider-Girl, X-23, and She-Hulk (Lyra) joined the Academy.  I guess they have to go somewhere, right?  The new Avengers Academy recruiting slogan should be:  "Lost Your Own Series?  Come Join the Avengers Academy!"

Not only were there good additions to the team, but the team also added Hawkeye as a full-time teacher AND moved to the old digs of the West Coast Avengers!  How psyched was I?!  It was like a WCA reunion! 

The Avengers Academy series gets a bit bogged down during the crossover events (I'm talking to you, Fear Itself) and is at its strongest when dealing with one-on-one character interaction.  I love the relationship struggle between Mettle and Hazmat.  It reminds me of the torture that Colossus and Kitty Pryde went through for years and years, with a little bit of The Thing and Alicia Masters thrown in for good measure.  And Mettle's kind of sexy in his own, skinless way.  

Mettle and Hazmat

Most recently, I loved the very personal conversation between Striker and newcomer Lightspeed.  (SPOILER ALERT!  Just warning ya.)  Striker gay?  Lightspeed bisexual?  Whoa... Thanks for making me appreciate Striker more, Christos.  He's not just a pompous ass; he's confused and insecure!  Can we change the generic codename, though?  And, come to think of it, Julie always was pretty butch back in her Power Pack days.  Now, she's more of a lipstick lesbian -- er, bisexual.  I'm still not crazy about Finesse, though.  Can we kill her off?

I look forward to the continuation of Avengers Academy with characters that aren't popular enough to support their own series, but as a team do pretty damn well.  After The Children's Crusade, how about adding Hulkling and Wiccan to the school?  (Hint, hint.)

New Teen Titans: Too Gamey.

 

I was soooooooooo looking forward to the New Teen Titans graphic novel, Games.  The New Teen Titans from the 1980s was (and probably still is) my favorite comic book. It was what got me hooked into reading comics for decades to come. When I heard that original creators Marv Wolfman and George Perez were teaming up to do a graphic novel based on my favorite team (ever!), I couldn't wait to get my hands on it! Sadly, I was a bit disappointed.

The story "Games" was just average. It reads like your basic technological action movie. This was nowhere near the quality I would expect from such masters of their craft. Where were stories like the first ones involving Deathstroke, Trigon, Blackfire, Brother Blood, or Terra?

More disappointing than the plot was the membership of this particular New Teen Titans. Wolfman chose not to go with the original team that burst onto the scene in 1980; he chose to use the team with members from later years. In fact, it was probably one of the weakest memberships. Donna was no longer Wonder Girl, Wally had gone off as the Flash, Terra was already dead, Speedy had already left the team, and Raven was already in her white costume (instead of the original blue).
 

Cousin Oliver...er,
Danny Chase.

Most disappointing was the inclusion of Danny Chase, the "Cousin Oliver" of the Teen Titans.  Bleh!  Whoever thought this was a good character was sadly mistaken. He's like the annoying Agent Cody Banks of DC Comics...and that's *not* a compliment. According to Wikipedia, "Problematically, the character was often portrayed as an overly snide, egotistical brat. This quickly proved unpopular with most fans, and pro- and anti-Chase letters sparked heated debate in the letter column. Wolfman tried various ways to make the character more appealing to the Titans' fan base, including having him briefly disguised as the mysterious "Phantasm" during the Titans Hunt storyline. However, negative fan pressure was strong enough to write Danny out of the series." So why was he used in this story?

Mullet-ready

Troia (Donna Troy)

In addition to the awful choice of Danny Chase, Donna Troy's weird Troia (or whatever the heck her name was at the time) get-up and Gar Logan's mullet make their appearance as well.
 

Since the story was already set in the 1980s, Wolfman would have been wiser to use the original team-up that was so successful. On a related note, Wolfman goes out of his way to point out to readers that the story is set in the 1980s, but then he throws in an Internet reference. I wasn't even aware of the Internet until the mid to late 1990s.

Naturally, I loved the detailed art by George Perez but it was mired down by the lame story. 

Overall, "Games" was a disappointment. I really think long-time fans of the original series deserved better. 

DC no longer drawing the line at $2.99

Apparently, DC Comics didn't learn from their mistake a couple of years ago when they tried raising comic book prices from $2.99 to $3.99, using the stupid justification of "back-up stories."  People stopped buying their comics. 

Besides the existing Justice League and Action Comics already priced at $3.99, in April's solicits, there appears to be some comics that have gone from $2.99 to $3.99 (Yes, I'm talking to you Batman and Detective Comics) with the justification of a "back-up story."  These additional stories may be better than filler like sketches, etc. that comics use to raise the prices to $3.99 or $4.99 (or even up to the atrocious $7.99!!!), but typically they're not even worth the paper they're printed on.  Does anyone even recall a good back-up story they read when DC tried this tactic a couple of years ago?  I thought not.

So what's going to happen with this increase?  People will stop buying the comics.  Again.

Boo hiss to DC for repeating their own mistakes.

You can stand under my Umbrella...ella, ella, eh, eh...

What a great concept the Umbrella Academy is!  Babies are mysteriously born throughout the world by mothers who didn't even know they were pregnant.  Most are abandoned.  A mysterious benefactor adopts 7 of them and raises them at the Umbrella Academy, which I'm assuming is like the X-Men's Charles Xavier's School for Gifted Youngsters.  Six of the seven children have powers; the seventh feels like an outcast. 

I read through the entire graphic novel (volume one, which is made up of six comics/sections) in no time.  The story was very engaging.  However, I would have liked to have seen more character development.  I didn't feel like I knew much about all of the characters, only a couple of them.  The rest were kind of two-dimensional; their personalities weren't developed.  I also would have liked more about the children's mysterious backstory.  How did it come to be that these children were all born?  How did their powers manifest themselves?  How did their benefactor track them all down and know about them?  And what about the benefactor's background?  There's SO much more story that could be told.

All in all, though, I thought the writing was fantastic.  It really held my interest.  The interior art was a bit child-like/cartoonish; I would have liked it to have a little more realism to it (like the fantastic covers).  I'm looking forward to reading Volume Two and beyond!

Fantastic Four: NOT The World's Greatest Comic Magazine

Last night, I got caught up on the adventures of the Fantastic Four.  I read four new FFs and the recently revived Fantastic Four #600 and 601.  It's really no surprise that Marvel came back with the long-running Fantastic Four comic.  By "ending" with #588 last year, I figured Marvel would run the title FF for a year (12 issues) and then come back with #600.  It was just too coincidental.  I assume Marvel didn't think about FF doing so well, though, and so now they've decided to keep both Fantastic Four and FF.  And, to my knowledge, this is the first time that the Fantastic Four has had two ongoing monthlies at one time (with the exception of The Thing comic back in the 1980s (which I really enjoyed!)).

Fantastic Four #236 (1981)

The Fantastic Four was the first comic to get me hooked on comics.  I picked up several issues at my local comic book store in the early 80s and got hooked when John Byrne was writing and drawing "The World's Greatest Comic Magazine."  His amazing illustration lured me, but it was his character portrayal that kept me around.  I loved the realism he put into each story and his development of Sue Storm from weakest member of the team to the strongest.  He showed her getting pregnant, having a miscarriage, and taking on the dark Malice personality, etc.  He not only showed Sue as powerful, but he made use of Reed and Sue's son, Franklin, as well, by making the future Franklin Richards into a person to be feared.  

Fantastic Four #275

I also loved the romance between Johnny Storm and Frankie Raye, as well as the love triangle(!!) between Johnny, Ben Grimm, and Ben's long-time blind girlfriend Alicia Masters.  Byrne was all about developing relationships, and that really made the comic stand out.  And when The Thing stayed behind on the Secret Wars planet, Byrne added She-Hulk to the mix, thereby adding a lot of "fun" to the book and equaling out the gender ratio of the team. 

Fantastic Four #554 (2008)

After quitting comics in the mid 1990s, I began reading the Fantastic Four again with issue #554 in 2008 when Mark Millar and Bryan Hitch came onboard as the new creative team. Unfortunately, the series has been "meh," even with the change in writers and artists over the past few years.  And none of the team members look attractive.  Johnny looks like he's got a receding hairline and couldn't possibly be the ladies' man he's made out to be. 

Amazing Spider-Man #657

Even the story "Three," in which Johnny Storm dies, wasn't (pardon the pun) fantastic.  In fact, Amazing Spider-Man #657 did a better job of handling grief and showing emotion than the Fantastic Four's own comic(s).  

After the "final issue" of the Fantastic Four, the new comic (and team) FF came out.  It was slightly better than the original, but still lacked the "oomph" of Byrne's Fantastic Four.  Only when Barry Kitson is illustrating do the characters really stand out and look attractive again.  That was what I first thought upon reading FF #10 last night.  The colors throughout each panel were so vibrant, too.  

From FF #10, but I'm unclear as to why Sue and Reed
are wearing around their costumes to water their plants.
Don't they have any sweatpants or anything?

Sadly, with FF #12, Kitson is gone again, and the art by Juan Bobillo flounders in comparison.  And, with the team returning to the reinstated Fantastic Four comic, is the Future Foundation (FF) team now just a larger version of Power Pack, made up of just the random children (human and non) living in the Baxter Building with Sue and Reed's kids?  This version of FF probably won't last. 

So I'm not sure what the future holds for Fantastic Four or FF.  Can they ever return to true greatness?  At least Barry Kitson is returning for Fantastic Four #602.  Let's hope Marvel wises up and keeps him around.  The Fantastic Four really deserve to be more visually appealing to their readers.  Now, how about that character development so they can actually be deserving of "The World's Greatest Comic Magazine" title?

Bitter Teens

Teen Titans #4 (2011)

In the latest incarnation of Teen Titans #4, the team hasn't fully formed yet and everyone is still getting acquainted...violently.   Superboy and Wonder Girl (Yikes! Can I call her that without getting beat up?) do battle in Times Square on New Year's Eve 2011.  What a difference from the romance and losing their virginity to each other in the previous volume of Teen Titans.  At least this Superboy looks bigger and more toned than the scrawny one in the Superboy solo series.  

Meanwhile, new characters Bunker and Skitter quarrel, too, as do Kid Flash and Red Robin...over clothing.  Sigh...

Unfortunately, the dialogue is reminiscent of Felicia Henderson.  Is "Scott Lobdell" her pseudonym?  Or vice versa?  Both writers seem insistent on giving the teens lame dialogue (even for teenagers) and making them angry...all. the. time.

Old Solstice

And what's with Solstice now being puffs of black clouds with intermittent lightning flashes throughout?   It was so nice adding some diversity to the team last year, and now the beautiful Indian girl is just a puff of smoke?

New Solstice

As for the rest of the characters and storylines -- eh, who cares?  Bring back the old series, please.   

Infested.

Spider-Girl loses her short-lived solo series and Marvel throws her a bone by giving her a Spider Island-related three-issue mini-series.  Wow.  What a rotten send-off that was. 

I just read all three issues back-to-back and had to give myself spider bites just to stay awake.  Not only is New York City infested with spider-people, but now wasp-people are after the spider-people.  (Really?)  And they're called the Sisterhood of the Wasp.  (Do they also wear traveling pants?)  How about throwing in Spider-Girl partnering with the Kingpin to stop the flying insects?  Really?  Suh-weet. 

If you're at all interested in the Spider Island storyline (personally, I think the hype was better than the actual stories), be sure to pass on the snoozefest that is Spider Island Spider-Girl. 

Superman: An Alien Among Us

I just read the new Action Comics #3 and Superman #3.  

Let's start with Action with the preface that I'm not a fan of Grant Morrison.  Surprisingly, though, the writing in this issue was decent and easy enough to follow.  (I guess Morrison took a break from the crackpipe to write this issue.)   I'm disappointed, though, that neither Superman nor Clark Kent isn't liked.  Superman for being new, different, and a bit scary to the public; reporter Clark Kent for trying to right the wrongs of the city by uncovering corruption.  Neither of these characters are the characters that I've known my entire life, so it's really difficult to accept this as the "new normal."  Lastly, why is DC charging $3.99 for Action Comics when we don't get any more story than a $2.99 comic?  "Filler" that is basically marketing for other Superman-related comics in the New 52 doesn't constitute an additional $1 upcharge to me. 

I liked Superman #3 better than the first two issues of the latest Man of Steel reboot.   The story seemed to flow and move along quicker.  While I appreciate that writer George Perez gave us more story for our $2.99 in issues #1 and #2, thanks to his throwback to the 80s with his tiny panels with lots of dialogue, it also made for stories that dragged on longer than they should have.  It was also fantastic to see Nicola Scott's return to a monthly comic!  I love her detailed, realistic, beautiful artwork and I think she's among the Top 5 current comic book artists. (And Superman's ass looks fantastic on the cover.)  But Ma and Pa Kent both dead already?  What reason does Clark have to return to Smallville in the future?  His visits to Smallville were always comforting.  Now it just seems he'll be a brooding superhero a la Batman.

All in all, the enthusiasm of "faster than a speeding bullet, more powerful than a locomotive, and able to leap tall buildings in a single bound" seems lost on Superman in the New 52.  He's no longer exciting to people, he's just plain alien.