An EYE for an EYE

In time for Convergence, Eye finally caught up with DC Comics' weekly series New 52: Futures End that ended with #48.  Sadly, Eye was underwhelmed.  The series ended with a whimper, not a bang. 

It felt like the series had some direction at the beginning but then the creators and/or execs decided to just say "fuck it" and move on to the Next Big Thing (i.e., Convergence.)   It didn't even offer much of a lead-in to Convergence.  Brainiac started to come collect cities...but then they defeated him?   And pretty quickly, too.  Eye was quite confused.

Eye think what the series was also missing was interesting characters.  Or maybe they just weren't used properly.  Included were Batman Beyond, Shazam as Superman, Amethyst, Frankenstein, Grifter, Mister Terrific, Tim Drake (retired), and a new female Firestorm.  Meh.  Eye think DC did a much better job of using secondary characters in their 2006 weekly series 52.  Eye was invested in the 52 characters, not so much in the New 52 Futures End ones.

Eye wasted about $150 and who knows how many hours of my time waiting for something exciting and big to happen, but it never did.  And the series didn't even matter in the course of things. 

Move along, folks, there's nothing to see here...

Hello, Old Friends

Ever since its announcement, I've been looking forward to DC Comics' Convergence series and spin-offs.  Why?  Like a lot of long-time readers, I have a personal history invested in the "old" characters (i.e., pre-New 52).  Not only that, they seem to have more personality and character development than those in the New 52. 

Of the main series, I've read Convergence #0 and #1 so far.  It's been interesting, but even better have been the spin-off Convergence series.  The ones I've read from week one have been:   

• Convergence: Speed Force #1 - starring the (Caucasian) Wally West Flash and his two speedy kids
• Convergence: Superman #1 - starring Superman and his pregnant wife Lois Lane
• Convergence: The Atom #1 - starring an "I-Hear-Voices" Ray Palmer
• Convergence:  Nightwing & Oracle #1 - starring a romantically involved Dick Grayson and wheelchair-bound Barbara Gordon
• Convergence:  The Titans #1 - starring Donna Troy, Starfire, and Arsenal
• Convergence:  Harley Quinn #1 - starring a fully clothed Harley

All of got to say is:  FANTASTIC.  This is what DC Comics has been missing for the past four years since the inception of the New 52 Universe.  Not only does it bring back the characters that I know and love and that have an actual history, but it involves character development, human emotion/interaction, and decent dialogue.  Maybe people (myself included) wouldn't dislike the New 52 Universe so much if it wasn't focused on dreariness, flat emotions, battles/fight scenes, and cheesy dialogue.

With these Convergence titles, I get Wally West worried about his kids and wife, Superman looking forward to being a father, the Atom wigging out, Dick Grayson proposing to Barbara Gordon, Starfire being jealous about Dick's romance, Roy Harper still agonizing over the death of his daughter, Donna Troy working her photographer job, and Harley Quinn interacting with Catwoman and Poison Ivy again.  (Not to mention Captain Carrot's teammate Fastback chasing after Wally West!)  These are real human traits, feelings, and emotions, and they're what's missing from DC Comics today. 

The bigger question about Convergence is: Why is the storywriting so much better?  Is it due to the return of the better characters?  Or are they using writers who aren't fatigued and/or mandated to write crap? 

I'm not sure what the future holds for the DC Universe, but I'm thinking that if they decide to stick with the flat, two-dimensional characters of the New 52 Universe, then I'll probably drop several titles and maybe even quit reading comics all together again.  (And don't even get me started with the new Superman, Batman, and Wonder Woman; I've already canceled those comics.)  Until then, I'm going to enjoy seeing my old friends converge.

Longer Is Not Always Better

Amazing X-Men #13

I'm a little behind in reading my Amazing X-Men comics, so I just finished issue #13 last night.  All I can say is...WOW.  It was such an -- dare I say? -- amazing story starring one of my favorite minor characters, Anole, who just happens to be gay.  And green and scaly.  

The issue is a "filler" issue by James Tynion IV who's not a series regular.  It's a sweet tale about Anole meeting a guy online.  They click, chat for several hours, and decide to meet up for coffee.  Only Anole can't go through with it because he's afraid that his appearance will scare away his prospective suitor.  The only weird part being...would you meet up with someone online who you've never seen a photo of?  That aside, it was a perfectly written story contained within a single issue.  It also features Northstar, another out X-Man, as well as Nightcrawler, who knows a thing or two about growing up looking different.  I loved the lesson the story taught, and it was comforting to see Northstar and Nightcrawler tackling the mentor role for this teenage boy who's not only struggling with his mutant powers, but also his appearance and being gay.  

Amazing X-Men #7

Recently, Amazing X-Men had another "filler" issue with #7, featuring a reunion of Spider-Man and his Amazing Friends, Iceman and Firestar.   The concept of this story made me giddy with nostalgia, having loved the Saturday morning cartoon series from the early 1980s.  The issue was written by Kathryn Immonen, also not a series regular. 

I miss the single-issue story that was so prevalent in the 1980s, as they always seem to be the better written.  It's too bad there aren't more single-issue contained comic stories like these two Amazing X-Men stories, as well as the Rose & Thorn and Looker one-shots from 2012.  Storylines in modern comics are typically stretched over six issues so they can be collected into a graphic novel for additional sales.  From a business standpoint, I get that.  From a quality standpoint, I'm disappointed.  Unfortunately, when that happens, most stories also usually feel like they're stretched.  What could have been a one-, two-, or three-part story is now six parts and it's borrrrrrrrrring.  

I'm all for these one-off filler issues.  They not only give aspiring writers and artists an opportunity to show what they can do, but they tend to be much more enjoyable to read.  I anticipate DC's upcoming one- or two-part Convergence-related stories to be similarly enjoyable.  Then it will be back to business-as-usual and the humdrum 6-part stories will resume.  Marvel and DC could both learn a lesson from this, though. 

Crazy Nuts

The Unbeatable Squirrel Girl is a return to when comics were fun.   I'm not saying they all need to be "fun," but they don't all have be so dark and dreary (yes, I'm pointing fingers at you DC New 52 and Marvel NOW!). 

The Unbeatable Squirrel Girl is about Doreen Green who is a nerdy girl going off to college for the first time.  She just happens to have all the powers of a squirrel (?), can communicate with squirrels, and has a big bushy squirrel tail.  How does she become inconspicuous at college with a big ol' tail?  Why, she neatly tucks it into her pants, giving her a Kim Kardashian booty. 

It's apparent that Doreen doesn't have a lot of friends outside of squirrels, probably because they think she's a bit -- pardon the pun -- nuts because she talks to squirrels, or just looks like she's talking to herself.  Her new college roommate has a secret cat in their dorm room, and they already seem to be hitting it off, so good for her.  Doreen also gets flirted with a bit, gets scared, and runs off.  You know, normal college girl stuff.
 
Besides establishing her character and supporting cast in issue #1, Squirrel Girl also battles Kraven the Hunter.  Well, not so much battles him as she outwits him.  

Writer Ryan North provides a fast, enjoyable read, and Erica Henderson's art is cartoonish, which normally I wouldn't like for comic books but it suits Squirrel Girl's style.  

While The Unbeatable Squirrel doesn't hold the same exciting appeal for me as the new Ant-Man comic, I will continue to pick it up every month, as it's fun and a nice break from all the darkness and seriousness that plagues too many comics today.

The Force Is Strong With Them

Star Wars #1
(Marvel Comics 1977)

As a kid, I loved loved loved everything Star Wars.  Except the comic book.  I could never get into it.  I guess I never felt like Marvel Comics captured the magic that the movies did.  

Star Wars #1
(Dark Horse Comics 2012)

After Dark Horse Comics got the licensing for Star Wars in the early 1990s, I gave them a try, too, but wound up with similar results.  Many years went by with nary a Star Wars comic in my monthly reading collection.  I got excited when, in 2012, Dark Horse was going to feature a new series with the original characters.  Unfortunately, even this series left me a little flat. 

With Disney acquiring Marvel and Star Wars, it was only a matter of time before they took back the rights to create their own Star Wars comic books.  So, today in 2015, we have a new Star Wars #1 from Marvel Comics.  I must admit it's the best rendition so far that I've read of these classic characters.  I feel like it captures the excitement, adventure, and mystery of the first film.  The issue held my interest throughout, and when it reached its cliffhanger conclusion, it made me look forward to issue #2. 

Star Wars #1
(Marvel Comics 2015)

Congrats to Jason Aaron on the great writing and to John Cassaday on making the characters lifelike, resembling the actors who portrayed these spectacular characters on the silver screen.  You've finally captured the magic of the Force.