Tuesday, January 5, 2016

Putting the "Super" in Superman

While I loved the first two Superman movies from the 1970s/80s, as well as the Super Friends Saturday morning cartoon series and its spin-offs, as a kid, I was never that crazy about reading the Superman comic books.  Week after week in the 80s, I'd visit my local comic book store.  Superman comics, including Action Comics and DC Comics Presents, never entered the rotation, with the exception of the occasional issue that guest-starred another character I liked.  That was, until John Byrne came onboard in 1986.  At that point, I was already a huge fan of his work on the X-Men, Fantastic Four, and Alpha Flight.  He made Superman interesting and more relatable for me.  That is to say, he gave him more human qualities, developed his personality, and gave him better storylines.  Meanwhile, George Perez was doing the same for Wonder Woman for me.  

Cut to 2008. I began reading Superman again and followed him up through his "Grounded" storyline until the long-running series ended with the events of Flashpoint.  Then DC Comics announced the New 52 and that Superman would feature George Perez and Nicola Scott.  I was intrigued.  I think they're both extremely talented.  Sadly, neither of them lasted on the title for very long, and Superman's storyline in the New 52 was obviously dictated from high above.  Still, I continued reading through many writer and artist changes, I guess out of some sort of weird obligation.  Then Geoff Johns finally took over the writing reigns with #32.  A-Ha!  Maybe now it will get better.  Along with him, he brought artist John Romita Jr.  I'm not sure what the craze is about his art.  The characters look so stiff and, many times, unlifelike.  Naturally, Johns didn't last long on the book; he's got way too many other obligations.  Then it was announced that Gene Luen Yang was coming onboard as writer with #41.  Who?  Never heard of him.  The Superman comics piled up while I read other series.  Then I finally sat down to read a few months' worth.  The writing was fantastic.  I had to flip back to see who it was.  Gene Luen Yang.  Wow.  Still never heard of him, but thought his writing was the best I've seen on this latest Superman series.  Now if only they'd bring back Nicola Scott on art chores.

On my drive home last night, I was listening to NPR.  (Yes, I know.  It makes me feel old, too.)  A segment came on about a Gene Yang.  It was talking about him being named the National Ambassador for Young People's Literature.  I thought, could this be the same Gene Yang?   When I got home, I Googled him to find out.  Sure enough, it was.  Wow.  Congratulations, and well-deserved.  I guess I'm not the only one impressed with his talent.  I hope Yang remains a permanent fixture in the DC Universe.  They need all the help they can get with the stale comics they've produced in the New 52 and beyond.  I hope they realize that it's not all about action, action, action and churning out boring, elongated stories just to later sell in graphic novel format.  Comics, too, can (and should) have character development (and aging).    







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