Teen Titans vs. Champions

With the two Teen Titans series set in the New 52 Universe that truly sucked (not to mention the even worse Ravagers spin-off), I had hopes that the latest Teen Titans series set in DC's Rebirth would return to its New Teen Titans roots, or would at least resemble Geoff Johns' fantastic 2003 series.  I've read the Teen Titans: Rebirth #1 issue, and I'm disappointed to report that it doesn't get much better, folks.

Gone are Bunker, the new Power Girl, Wonder Girl (?), and Superboy, with additions of Starfire, the new Kid Flash, and Damian replacing Tim as the Robin on the team, but it still doesn't have that spark or character chemistry that the 1980s or 2003 series had.  Everyone just seemed bratty with shitty dialogue, just like the New 52 Teen Titans.  This was DC's big opportunity to do something great (again) with the Teen Titans...and they sadly fucked it up (again).

At the same time, I also read (and compared) the first issue of Marvel's new Champions series, which features teenage versions of Avengers characters.  Champions captured the spirit of the original 1960s, 1980s, and 2000s Teen Titans (and TV's Young Justice) that DC's "Rebirth" of the Teen Titans should have.  Fed up with the adult Avengers, the teenage Ms. Marvel, Totally Awesome Hulk, time-traveling Cyclops, Miles Morales' Spider-Man (boy?), Nova, and Vision's daughter Viv, form their own team.  The dialogue isn't cheesy or forced, and the first issue provides a great banding together of members.

Because the Teen Titans were always my favorite growing up, I hate to admit that in the contest of Teen Titans vs. Champions, Champions wins hands down.

You Don't Know Dick

"Dick. That's an interesting name.  My bottom hurts just thinking about it." - Madonna

Cover of Grayson #1

Okay, so other than his first name, that song lyric doesn't really have much application to the new GRAYSON series starring Dick Grayson (former Robin, former Teen Titan, former Nightwing, former Batman), but how often do I get the chance to use it?

When this new series/title was first announced, I was a bit disappointed that Nightwing was being cancelled, as Dick Grayson/Robin/Nightwing has always been one of my favorite characters.  I guess DC thought he needed some shaking up.  While I was unsure about this new direction, I was glad that Dick was at least getting another series (and that he wasn't actually killed in Forever Evil).  And I appreciate the fact that they kept the elements of the Nightwing logo in the new Grayson logo. 

I read the first issue of Grayson and was surprised that I actually enjoyed it.  The story was fast-paced, yet not too bogged down in action.  It was very Mission Impossible-esque, and the cover reminds one of James Bond.  I guess Grayson is supposed to be the next great spy along the lines of those two famous spies. 

Interior art by Mikel Janin.

Speaking of the cover, I question why DC didn't use an illustration drawn by the comic's regular artist, Mikel Janin, when -- to me -- his art and characters look so much better than Andrew Robinson's.  It's so great, though, that they went with a hot pink background to really make Dick's dark outfit stand out.  It's very eye-catching.  

There was also some character development and interaction in Grayson, including appearances by Stormwatch's Midnighter and Helena Bertinelli, in her first appearance in the New 52.  The new Helena is much more Italian/Mediterranean-looking, and I'm curious to see if she'll eventually assume the Huntress persona or leave that to Helena Wayne on Earth 2.  Regardless, I'd like to see more of these two as regular supporting characters for Dick to interact with on a personal level. 

Helena Bertinelli

So far, I'm sold on Grayson, and I can deal without a Nightwing in the DC Universe for the time being. 

Boyz n the (Red) Hood

Batman #638

Since I wasn't reading comics in 2005 (I was on hiatus from 1994-2007), I finally just read the "Under the Hood" storyline from Batman #635-638 and the related "Family Reunion" storyline from Batman #639-641.  Both stories were written by Judd Winick, and we're introduced to the new character, Red Hood, who is revealed to be a back-from-the-dead Jason Todd (former Robin). 

Obviously, I already knew that Jason Todd had come back from the dead, but I still wanted to read the actual story that brought him back.  I have to say that it was a pretty good, fast-paced storyline with a lot of great character development.  Winick did a beautiful job capturing Batman's emotions and his interactions with other superhero friends such as Green Arrow and Superman who also "came back from the dead," as he tries to make sense of Jason's possible return.  I think that's something that's missing from today's New 52: character development and personal interactions.  It's all about action, action, action, forgetting that these heroes also have personal lives and are (or should be) people like you and me, that we can relate to on a more-than-action level.  

From "Under the Hood"

One of my favorite scenes in the story was when the Red Hood/Jason Todd goes to visit the Joker and begins to beat him with a crowbar.  It's sweet revenge for Jason being beat to death by the Joker in the "A Death in Family" storyline from Batman #426-429.  

I also appreciate the irony of Jason assuming the Red Hood identity upon his return, as this was the Joker's original persona (or at least it used to be before all of his retcons).  I guess Jason wanted to acknowledge how the Joker (negatively) influenced his life and future.  
 

From "A Death in the Family"

"Under the Hood" (later changed to "Under the Red Hood") and "Family Reunion" are must-reads for any fans of Batman, Red Hood, or great storytelling!

Pulling Strings

Nightwing #27 and #28 were two of the most interesting comics I've read in quite some time.  Why?  Both of these comics provided a healthy balance of Richard Grayson's personal life and his nightlife as crimefighting alter ego Nightwing.  That's something that's been pretty lacking in DC Comics ever since the invention of the "New 52."  It seems like they're trying to be grittier and more (dare I say it?) Marvelesque, focusing on battle scenes rather than the personal interaction between characters.  

I miss the insights into the lives of superheroes' "secret identities."  For me, that was always the heart of comic books and the reason why I kept reading them from month to month.  They were their own type of soap opera.  Battling villains was just something they did on the side.  

Remember when Dick Grayson left his Robin costume behind and said hello to Nightwing in New Teen Titans back in the 80s?  When Wonder Woman had to deal with a teenager's suicide?  When the Invisible Woman suffered a miscarriage?  That was great storytelling!  It made the characters feel real, making them more believably human. 

Comics from DC and Marvel no longer seem to be content-driven.  They're more focused on battle after battle and producing six-issue stories that feel overly drawn out just so they can collect them and re-sell them in the graphic novel format.  They've lost focus (and probably readers) because of it.  In fact, I've dropped a lot of comics of late because they've become so...boring.  Sometimes I can't even tell any of the characters or series apart anymore.  That's how bland and formulaic they've become.  

I appreciate that Kyle Higgins, the writer on the current (but soon to be cancelled) Nightwing series, provided some great storytelling, weaving Dick's roommate problems with his challenges with new villainess, the Marionette. 

Injustice Does Justice to the Justice League

I just finished reading the hardcover compilation of Injustice: Gods Among Us, Vol. 1.  It collects the first six issues of the Injustice: Gods Among Us series.  The story is very well-written by Tom Taylor and beautifully illustrated by Jheremy Raapack.  The hardcover that collects the first six issues is attractive itself, too.  I was very impressed by the initial presentation, and then became so thoroughly engaged with the storyline that I read all six issues within the book quickly.   

The series is based on the video game (which I've never played) and serves as a prequel to the events in the game.  The story involves the division of members of the Justice League into two "teams" going up against one another; one led by Superman, one led by Batman.  Superman and his followers want to right the wrongs in the world by any means (Machiavelli's "the end justifies the means" philosophy).   Batman, on the other hand, wants to right the wrongs within legal confines, using the established (albeit broken) justice system.  I won't reveal any spoilers, but I will say that the writer does a fantastic job of not only keeping the story moving, but also with developing each character's personality.   

The real injustice here is that Injustice: Gods Among Us takes place outside of the current DC Universe because this storyline is SO much better than Justice League stories currently being written in the New 52. What a shame that the talents of Taylor and Raapack are being wasted by not giving them a regular monthly series that takes place within the confines of the New 52 and delivers powerful stories with attention to characterization.  Instead, we're stuck with bland writers like Ann Nocenti.  Taylor also wrote the brilliant Rose and Thorn one-shot which was also a favorite of mine.  So, kudos to Taylor on his awesome writing skills. 

And the art in Injustice is so amazing and lifelike, too!   I've rarely seen superheroes like Superman or Wonder Woman look better (although I'm not sure why Lois Lane is a redhead).  

I look forward to reading the new ongoing Injustice series and (hopefully) watching the careers of Taylor and Raapack fluorish.  

Batman STINKcorporated

I'll say it again:  I am not a fan of Grant Morrison. And I still don't understand why DC chooses him over many talented other writers when he writes incomprehensible stories.  During the New 52 reboot, he was given the task of not only writing another Batman Incorporated series, but also the new Action Comics starring Superman.  I read neither.  

Now they supposedly go and kill off Damian Wayne in Batman Incorporated.  Let's discuss this.  DC chooses to do this dramatic story in Batman Incorporated and not in the Batman and Robin that I do read?  Isn't Batman Incorporated supposed to be about the many Batmans or Batman-like characters around the world?  Instead, the latest Batman Incorporated series has just been another Batman and Robin title.  WTF, DC?  Seriously.  

Whatever happened to the Batman Incorporated concept?  And why does this title even exist when it's just another Batman and Robin title?  Is Robin the Inc. in Incorporated?  

No, I'm not going to cave and start buying another freakin' Batman title just because DC decides to give Grant Morrison free reign with a title.  Kill Robin, see if I care.  But I won't read another Grant Morrison written comic again.   

This Joker's No Joke

After Batman's lame reboot in DC's New 52 with the never-ending Court of Owls saga, they followed it up with one of the best Batman stories ever: "Death of the Family."  Yes, it mimicked the original late 1980s "Death in the Family" title to try to grab some headlines and piggyback on that popular story's sales, but we'll forgive DC for that cheap marketing tactic.  

"Death of the Family" gave us the New 52 version of the Joker.  And he is freakin' scary.  How scary is he?  He removed his own face and then loosely reattached it.  And with every issue, the reattached face decomposed more and more as it barely clung to him, tied only with strings, with flies buzzing around the decayed skin.  Twisted!  

The story involved Joker haunting the entire Batman family of superheroes, including Robin, Red Robin, Nightwing, Red Hood, Catwoman, and Batgirl (alas, no Batwoman), and the stories ran into their own individual titles.  This is the story DC should have rebooted the Batman series with, but I can see why they'd save it in their back pocket. 

I was a little disappointed in reading the conclusion of the storyline in Batman #17.  I thought, "That's it?"  However, after a closer second reading, I appreciated it more.  It established an interesting (new) bond between Batman and Joker, and delved a bit more deeply into the Joker's past than ever before.  Joker's still up to his games all in the name of dark humor, but they're much more serious and deadly.  And I like it.  This Joker is extremely psychotic, making him all the more interesting.  I'd love to see even more character development with this new Joker.  

All in all, DC did a fantastic job with the entire "Death of the Family" storyline in Batman, including all of the related titles.  I hope they collect all 23 issues in one chronological graphic novel.  That would make for one fantastic gift.  

I give DC an "A" for effort and an "A" for content, and it almost makes up for the ongoing Owls saga (know when to quit!).  Let's hope the next time we see the Joker, he's paired with the new, darker Harley Quinn (aka Harlequin). 

Batman Overload

Batman #7 (volume two)

I just caught up reading three months of Batman (#s 5-7) where he is being "judged" by the Court of Owls.  Unfortunately, while the lead-up to the Court of Owls in earlier Batman issues was intriguing, these last few issues felt like a throwback to Grant Morrison's awful RIP story where Batman was delusional, hallucinating, etc. and the story went nowhere.  However, in the New 52, I'm not sure any of that RIP stuff even happened now.  But I do know that it's definitely re-happening in my head and giving me a headache and a case of the boredoms.  Let's hope Batman picks up soon before I drop this DC mainstay from my reading list.

While I'm on the subject of Batman and Grant Morrison, I'd like to comment that the latest Batman, Inc. series, with its first issue being released in May 2012. 

Batman Inc. #1 (volume two)

First issue summary: The series hits the ground running as BATMAN and ROBIN face off against the assassin GOATBOY! LEVIATHAN'S sinister mission revealed!

Second issue summary: This is the story of a man and a woman fighting over the heart and soul of their child. Unfortunately for the world, the man is BATMAN, the woman is TALIA AL GHUL, and the child is DAMIAN.

Where does the "Inc." in Batman, Inc. come into play?  I thought the intent was to be about an international web of Batman-related heroes?   Sounds to me like another Batman title to make money off the masses.  Because Batman, Detective Comics, Batman: The Dark Knight, and Batman & Robin weren't enough?  And that's not even including his appearances in Justice League or Justice League International.  Now that there's only one Batman in the New DC 52, where does he find the time?  If Batman needs a personal assistant to keep track of his calendar, I'm available.

Angry Teens

This ain't your dad's Teen Titans.  Heck, it isn't even mine.  

The latest reincarnation of DC Comics' Teen Titans was nowhere as good as Geoff John's 2003 version or Marv Wolfman/George Perez' 1980 version.  It wasn't totally awful, though, either.  

These new teens are full of anger.  I guess that's closer to how real teens are/stereotyped to be?   In this first issue, we meet Red Robin, off his stint as Robin.  He's got some issues with the whole former Batman team-up thing.  He's also monitoring the recent sudden appearance of teens with superpowers around the world.  

And then there's Cassie Sandsmark (Whatever you do, don't call her Wonder Girl!).  She's definitely got some anger issues, and a bit of mystery surrounding her existence as well.  Gone is the sweet Cassie from series' past.  She's also wearing a costume that's a combination of her former costume and Donna Troy's black starry one.  

As for the rest of the team, we did see some confusing segment about Kid Flash, but the rest (pictured on the cover) are still yet to come.   And, also, where is the new Aqualad? 

After reading the first month of #1 issues of the New 52, I've discovered a recurring theme throughout the new DCU:  the heroes aren't really "heroes," per se.  They're operating covertly, outside the law, as vigilantes and don't really have the support of the public.  All of 'em.  I'm not sure this is a wise decision on DC's part.  Having some vigilantes and covert operations is good.  But all of them?  It doesn't make any of the teams/individuals unique.  Now they're all Suicide Squad, Secret Six, or X-Men-ish.  And how are they all funded?   How do they survive without jobs?  I'd really like to see more of their personal lives, their "secret identities."  That's how we really get to know them as characters, not just by watching them battle one foe after another. 

Teen Titans was better than I expected (I had low expectations), so I hope it develops into another TT series that I really love.  But let's lose the anger...

Lastly, I'm not crazy about the logo.  However, I wasn't crazy about the former logo either.  Can we take this back to the marketing department?

The New New Teen Titans

Teen Titans #100

As you can tell from my previous posting, I'm thrilled by the new direction and writing and art chores on the Teen Titans comic.  After the disaster that was Felicia Henderson, I have nothing but high praise for J.T. Krul and Nicola Scott, especially the introduction of their newest diverse member, Solstice.  

On June 1, DC Comics announced:  "DC Comics will be making history this September. We’ll be renumbering the entire DC Universe line of comic books with 52 first issues. We’re publishing innovative storylines featuring our most iconic characters helmed by some of the most creative minds within the industry."

My first thought was, Damn!  And the Teen Titans are so close to reaching their 100th issue!  Luckily, though, it looks like they still will.  The Teen Titans comic is shipping twice monthly this summer, so it will reach issue #100.  That looks to be like the last issue, though, as DC Comics' series will begin with #1 in September, thereby eliminating the long-running Batman, Superman, Action Comics, Detective Comics, and recently renumbered Wonder Woman comics as well.  So much for reaching issue #1000 for those series one day!

Teen Titans #1 (2011)

DC recently posted on their DCU Source blog some samplings of the future comics/series that will begin anew.   One of those was for the Teen Titans.  In the new series, "Tim Drake is forced to step out from behind his keyboard when an international organization seeks to capture or kill super-powered teenagers. As Red Robin, he must team up with the mysterious and belligerent powerhouse thief known as Wonder Girl and a hyperactive speedster calling himself Kid Flash."  And then there's the image of the new Teen Titans team and their new costumes.  I really like Red Robin's new costume; it's very "Black Condor."  It's also much more visually appealing than his current costume and really sets himself apart from any Batman, Robin, Nightwing, or Red Hood costumes, giving Red Robin his own identity.  The rest of the team's costumes, though, I can do without.  They look like a throwback to the early 1990s when storylines and character development were "out," and stylized art, accentuated body parts (hello, big female boobies and tiny, tiny waists), and hologram covers were "in."  Who's that crawling on the ground with their hair sticking straight up?   Legion from The New Mutants?  And is that a new Solstice or Terra in the background?  She looks awfully dirty, whoever she is.  I guess the color scheme for the new group is black, red, and gold?   

I'll definitely give the new series a try, since the Teen Titans are my favorite group of all time.  Sadly, though, just when the Teen Titans were getting back on track with Krul and Scott, in comes writing chores by Scott Lobdell with art by Brett Booth and Norm Rapmund.  I hope they do the Teen Titans proud, but I hope this isn't the rebirth of the quality-lacking 1990s that drove me away from comics oh-so-many years ago.

Let's Get Animated

Although this blog is about comic books, I'd like to take some time to comment on some of the animated series that have spawned from comic books.   

Teen Titans animated series

The New Teen Titans was my favorite comic book series back in the 80s.  So when the Teen Titans cartoon was announced, I was so excited for its 2003 debut.  Then I watched the first episode.  These weren't the teens I knew and loved.  This show was geared toward the Teletubbies market.  It was literally one of the worst shows I've ever watched, and I was personally insulted by its lack of substance.  How could they do this to such beloved characters?  I never watched another episode.

Young Justice comic book series

Cut to: 2007.  I start reading comic books again after 15 years of being comic book-free, thanks to Geoff Johns' work on the new Teen Titans series.  I pick up all the back issues.  This also prompts me to check out the Young Justice series from the late 1990s to the early 2000s.  I buy and read a few issues.  I discover it's just as bad as the Teen Titans animated TV show. I stick to the Teen Titans comic and forget about any of their history that I missed. 

Batman: The Brave and the Bold
animated series

Batman: The Brave and the Bold debuted in 2008 on the Cartoon Network.  At first, I was disappointed in the format, hoping for something more along the lines of Batman: The Animated Series or Justice League Unlimited.  Now, though, I've really grown to appreciate the campiness of the series, reminiscent of the 1960s Batman show and 1970s Saturday morning cartoons.  I also love seeing appearances by lesser known DC Comics characters in each episode. 

Avengers animated series

The Avengers: Earth's Mightiest Heroes cartoon debuted this past fall on Disney XD.  It's been okay, but nothing spectacular, story-wise.  I guess that's to be expected since the many new Avengers comic book series that were started or re-started in the fall have been mediocre themselves.  I continue to half-watch it while doing other things around the house, though. 

Young Justice animated series

So when I hear about the new Young Justice animated series on the Cartoon Network, I'm a bit hesitant.  I'm quickly reminded of the Teen Titans animated series and the Young Justice comic book, both of which were too juvenile for even teenagers.  After watching the first episode, though, I know it's going to be one of my favorite shows on TV.  It's mature enough for adults to watch, yet not too complicated for kids to understand.  And while the series doesn't resemble the current Teen Titans comic book, it doesn't resemble the Young Justice comic book either. And that's a good thing.  Young Justice is about the sidekicks of members of the Justice League of America being inducted into the JLA.  To their surprise, though, it's not as full-fledged members.  They're still viewed as just sidekicks.  This prompts them to prove their worth.  

Young Justice animated series

I'm excited about the show's prospects and the promise of additional Teen Titans Young Justice members to come.  Awww...yeah!

Tiny Titans...Awww, Yeah!

Confession:  I love Tiny Titans.  And I'm not talking about Mexican midget wrestling. 

Tiny Titans is a DC Comic featuring toddler versions of your favorite Teen Titans, mostly from the wildly popular and well-written 1980s New Teen Titans series.  Think Muppet Babies.  Or A Pup Named Scooby Doo.  Or even the Flintstone Kids.  The stories for Tiny Titans are set in a kid-friendly, elementary school environment.  They're simple, silly, cute, and usually contain some sort of moral from which kids can learn.  They're also fun for adults.  Although I have a hard time justifying the $2.99 price tag for a comic I can read in one-third the time of a regular comic, sometimes I just can't resist.  My justification is that this Titans book is better written (thanks to Art Balthazar and Franco Aureliani) than the current Teen Titans comic, written by the awful Felicia Henderson.

I just read the first issue of the three-issue mini-series Tiny Titans/Little Archie, featuring toddler versions of the Archie Comics characters paired up with the Tiny Titans.  Again, cute.  Robin's and Archie's clothes get mixed up at the drycleaners.  Archie's mom and Alfred, the butler, pick up the wrong clothing and bring it to the kids.  Since they both have an "r" on their shirt ("r" for Robin and "r" for Riverdale, Archie's hometown), the adults believe they have picked up the right clothing.  Archie freaks when he starts to put on the clothes and sees Robin's green underwear and booties.  The identity mix-up continues with their respective friends.  Fun and lighthearted.

Tiny Titans is a great way to introduce your youngest kids to the DC Comics characters.  The stories are wholesome, non-violent, and moral-teaching.  They're also great entertainment for adults.

The Anticlimactic Return of Bruce Wayne/Batman

In the crappy tradition of the Batman: RIP storyline comes the return of Bruce Wayne/Batman from the timestream in which he was caught.  That's not to say that the individual stories of the Bruce Wayne: The Road Home one-shots are crappy, but the manner in which they were released/are being released are.  First, there has been the ever-delayed releases of current issues of the supposed-monthly Batman and Robin and the mini-series Batman: The Return of Bruce Wayne, both by the questionably talented Grant Morrison.  

This past week, I just picked up issue #5 (of 6) of the up-til-now-boring/lame Batman: The Return of Bruce Wayne.  Additionally, I picked up four one-shots (yes, FOUR issues) of the Bruce Wayne: The Road Home one-shots, featuring (in no particular order) Batgirl, Red Robin, Batman and Robin, and Outsiders.  They were originally supposed to be released two issues per week, but apparently someone was slacking off.  Since they weren't labeled, I had to look at the back of each comic to see the "To be continued in..." box to figure out some semblance of order.  In each comic, Bruce Wayne appears to the other characters with no fanfare.  I take it that the people in his life already know that he's back, but we, the readers, have not seen this come about yet.  Maybe that's because DC Comics has only released issue #5 of the aforementioned Return comic.  For me, the "return" really lost its impact because of the delayed and crazy release schedules.  I'm going out on a limb here, but perhaps everything should have been pushed back to coincide?   And releasing four comics of the same storyline at $2.99 in the same week?  What about the Batman readers who are only kids who spend their allowance on comics?  Can they afford to shell out $12-$15 in a single week on a single character?  I know I wouldn't have been able to as a kid.  DC is really doing a disservice to its younger readers.  If kids aren't shown respect now, they're not going to show DC Comics respect later in life.  Those kids can grow up to be adult comic collectors, too, you know.  As an adult reader, I'm offended with being presented with all of this non-labeled material out of sequence.  I don't watch my Mad Men episodes out of order.  Why should I read my comic books that way? 

With all that said, I will say that issue #5 of Batman: The Return of Bruce Wayne has been the best so far in that otherwise unnecessary series.  Bruce's parents have been recently murdered, and he learns some not-so-great details about their lives that he probably wished he hadn't.  I've only read two of the Road Home one-shots so far (Batgirl, and Batman and Robin), but both were well-written and enjoyable.  Perhaps, though, the stories would have fit better into their own series instead of one-shot issues so we the readers can, again, see some sequence to the events.  I would have liked to have seen the characters' reactions/reunion with Bruce Wayne.  I'm sure some were heartfelt.  

Sadly, since the Batman: RIP storyline, I've really lost interest in the Dark Knight and his cast of supporting (and not-so-supporting) characters.  Why?  The delays, the out-of-sequence releases, the nonsense storylines, myriad of one-shots, revamping of series titles (and starting over at #1 issues), Batman rip-off characters like Knight and Squire taking over the Bat-titles, the thought (and fear) of the too-many-to-name upcoming Batman series, the concept (and title) of Batman, Inc., etc.  Maybe I'll just stick to non-Bat titles until some of the titles fail and are cancelled and Batman becomes interesting again. 

Superman Turns 700

Superman reached his 700th issue last week, following Batman's disappointing 700th the week before.  Ironically, Batman started in 1940 while Superman started in 1939.

Superman's milestone was much better than Batman's.  Both issues contained a few short stories starring the title character, but Superman's was tied to current storylines or past history, whereas Batman's were just random bullshit.  In fact, Superman #700 contained a story that teamed him up with the original Robin, Batman's former partner, in a story set back in time.  Batman/Bruce Wayne appeared briefly and his appearance here was still better than the stories from his own 700th issue.  It provided a fun reading, seeing Superman play the adult mentor to the teenage Robin.  This was my favorite story of the three; however, it was more of a story for Robin than Superman.  I love the original Robin, though, so I was content.

Another story within the issue focused on Superman's reunion with his wife, Lois Lane, after the events from the "War of the Supermen" and "New Krypton" sagas that have run in all of the Superman books over the past couple of years.   I appreciated being let into Superman's personal life, as it's something that we haven't had a glimpse of in quite some time.  It made him -- for lack of a better term -- "human."  (Although hearing Superman and Lois confess their love to one another over and over again got a bit redundant.)

The third and final story within Superman #700 lays the groundwork for the upcoming "Grounded" storyline that will see Superman walking across the U.S. from Philadelphia to Seattle, stopping at cities and small towns in between, so he can reconnect with his fan base on their level.   I like that this will give Superman a more personal approach, but he can't be there to save people's everyday lives.  Hello!  He's not Sup-- Well, I guess he is.  But still...

So, while $4.99 seems a little steep for what we got, it was money better spent than Batman #700.  It didn't suck.

Number Ones

Recently, DC Comics has been putting out a lot of number one issue comics, trying to reinvent themselves and bring back some old favorites, as well as introduce some new, but familiar, characters. With comics getting cancelled and reinstated all the time, starting from the beginning, it's a wonder that any comics ever make it to three-digit numbering.

In the past couple of months alone, I've started reading six "new" series: Adventure Comics, Batgirl, Batman and Robin, Gotham City Sirens, Red Robin, and Streets of Gotham. Unfortunately, although I love the characters, the comics haven't all wowed me. When I think of first issues, I think "spectacular!" This is the jumping off point, and it should be a story that really grabs hold of you and forces you to add the series to your monthly comic book order list because it's that good. The majority of these series hasn't done that, but I'm sticking with them because I love the characters.

I was most excited about the return of a Batgirl monthly series, and I was glad that it wasn't going to be about the most recent Batgirl in DC Comics history. That Batgirl, also named Cassandra (I guess someone really liked the name?), wore the mask over her entire face and never seemed to have that "flair" that Barbara Gordon, the original Batgirl, did. She was more like a vigilante/assassin. There was much mystery over who the next Batgirl was going to be. Would Barbara Gordon regain the use of her legs and take up the mantle again? Would it be a new Batgirl under Barbara's tutelage? I'm sad to report that the mystery was solved immediately within the first few pages of issue one. So much for intrigue. I thought DC would draw out the mystery and excite us with further anticipation. Alas, no. We find out it's Stephanie Brown, aka the former Spoiler character from the cancelled Robin series. Yawn. She's like the teenage girl that everyone's annoyed by. Barbara is still in the comic, though, and I hope she maintains a prominent role since her Birds of Prey series was cancelled.

Adventure Comics features the return of one of my favorite DC characters: Superboy. Not Superman as a boy, but the clone made from both Superman's and Lex Luthor's DNA. When he was created back in the 1990s to help replace the void from Superman's death (due to his fight with Doomsday), I did not like him. He was an arrogant punk who wore sign-of-the-times apparel, a surfer's cut, and even sported an earring in one ear. Now, Conner Kent (aka Superboy again now that the licensing battle over the name trademark has been resolved) is a sexy, young adult who's trying to find his place in the world, much like Superman once did. His costume is a T-shirt and jeans. How cool is that? He's like the jock that everyone idolizes, but without the superior attitude. Deep down, he just wants to feel accepted and loved like everyone else. Of all the "restarts," this is definitely my favorite. I've missed Conner since he "died" a couple of years ago. Teen Titans hasn't been the same since his absence. I'm very curious what will happen with his previous budding relationship with Cassandra ("Cassie") Sandsmark (aka Wonder Girl) now that he's returned. After all, she did lose her virginity to him.

After reading the putrid "Batman: RIP" storyline and Final Crisis mini-series by Grant Morrison, I swore that I would never pick up another comic book written by Morrison. But...there I was picking up -- and enjoying -- the new Batman and Robin series. There's never actually been a "Batman and Robin" title, so this is definitely a milestone. The series features Dick Grayson (the first Robin) as the new Batman and, as Robin, Damian Wayne (Bruce Wayne's son with Talia, the daughter of Ra's al Ghul). The relationship between these two is comical, and that's what makes the series enjoyable. Damian is...a smart-ass prick. But Dick deals with it because he's Bruce's son and wants to show him the ropes. I think Morrison must have (finally) set down his joint and started writing something coherent because I've enjoyed the first couple of issues of this new series thus far. And the art by Frank Quitely is amazing. The level of detail harkens back to the days of Kevin Maguire on Justice League International in the 1980s. And, as an aside, I love the title logo for the series.

Catwoman was cancelled and they put her in the new Gotham City Sirens, adding Poison Ivy and Harley Quinn to the roster. I like all three characters, but Catwoman's own series had so much more depth. Thus far, Gotham City Sirens hasn't done much for me. We don't get to see the women as individuals outside of their costumes. Who hangs around together wearing their costumes all the time? Don't they ever have to be washed? And I'm not crazy about the title either. It screams "unsuccessful series" and "cancellation." I'll keep reading it, though, because I like to support female-lead series. They're so few and far between.

Speaking of poor title choices, what's worse than Gotham City Sirens? Streets of Gotham. It's about the people of Gotham who may from time-to-time interact with Batman. The only reason I'm buying this is because the back-up feature is Manhunter, written by the fantastic Marc Andreyko. DC also cancelled her own series and put her here in small vignettes with a $3.99 price tag. I think this will be the first of the new series to go, if only for the series' lackluster title.

Lastly, we get to Red Robin. No, not the restaurant chain that serves up awesome burgers and bottomless steak fries. Red Robin is the new identity of Tim Drake, the former Robin. I find it odd that he'd take on that name when Jason Todd, the former-former Robin, took on that name (and very similar costume) during the Countdown series. It's like Tim's just following in Jason's footsteps every step of the way. And Jason isn't someone you'd want to emulate. Anyway, I'm still waiting for something spectacular to happen with this series since Tim left the Teen Titans and the Robin identity for it. The series is very action-driven, but seems to lack a lot of story-driven quality and character development.